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Film Crew 101 pulls back the curtain on all the different roles that go into making a film or TV show. Ever wondered what a Gaffer or Best Boy does? Have you dreamt about working in the art department of a major movie but don’t know where to start? Or perhaps you are well on your way building a career in film and TV but want to get more insight into how other departments work. Film Crew 101 has all the answers.
 
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Today’s guest and First Assistant Accountant extraordinaire is Lisa Shillingburg. Some of Lisa’s film credits include Limitless, Munich, The Founder, Stillwater, and a small film you may have heard of called The Avengers. Her tv credits are equally impressive, with titles like Leverage, Constantine, Devs, and Westworld all under her belt. In this e…
 
The APOC works directly under the Production Office Coordinator in the production office. As a go-between between producers, the studio, and production, the production office is a hub that supports every department on a film. The APOC joins this office early on and will work to oversee the pas and the production secretary in the office as well as e…
 
Matthew Mungle has over 200 film and tv credits to his name as a special effects and prosthetic makeup artist. Matthew has worked on Hillbilly Elegy, The Irishman, August Osage County, Frida, Schindler’s List, Outbreak, Casper, and the movie that won him his Oscar, 1992’s Dracula. In addition, Matthew has worked on numerous television series includ…
 
Kim Richards' 1st AD credits include The Mandalorian, Why Women Kill, and The Lion King in addition to other work in the AD department on projects like The Mentalist, Ray Donavan, The Jungle Book, Silicon Valley, American Horror Story, Young Sheldon and 12 Strong. In this episode, you'll learn what Kim's days look like on set and what skills have h…
 
Cathy Marshall-Hart is a payroll accountant that has worked on some amazing and iconic films. Her list of credits includes The Matrix Reloaded, The Matrix Revolutions, Rent, Rush Hour 3, Twilight, The Book of Eli, Hidden Figures, Hostiles, Ford v Ferrari, and two projects that filmed right here in Oklahoma – Stillwater, directed by Tom McCarthy and…
 
Dino began working in the digital cinema space after the purchase of one of the first Red One cameras. Combined with his extensive background in production, his knowledge of the camera positioned him to stand out as a leading DIT early on as the industry transitioned to digital cinema. In addition to multiple music video credits and TV credits, Din…
 
A post production coordinator supports post-production teams as they work to deliver a finished film. Today, our host, Emmy award-winning documentary series editor and award-winning feature documentary producer, Amy Janes, talks with Sue-Ellen Chitunya, who has worked as the in-house post production coordinator for some of your favorite Marvel film…
 
Also referred to as a "Key Makeup" or "Key," a Key Makeup Artist assists the makeup department head and supports the department as a whole. Depending on the Head of Makeup's preferences, tasks for a key could include clerical work, taking pictures of looks and keeping track of continuity, and/or helping achieve makeup looks on talent. During filmin…
 
Mathew Price is a Production Sound Mixer whose skill can be heard in some of your favorite films and tv shows (he's worked on The Sopranos, The Marvelous Mrs. Masiel, Daredevil, You, and Teenage Mutant Ninja Turtles to name a few). In this episode, he talks about the nitty-gritty of capturing sound on a film set and how to build a career that lasts…
 
A background production assistant works in the AD department. Their main focus is to organize and oversee the background actors, or extras, on set. A background pa works with the 2nd AD to prepare for the shoot day. They’ll organize vouchers for the extras and study the shooting schedule, script, and location maps. They will need to know where depa…
 
A Unit Production Manager is responsible for advising on and overseeing the film production budget, working with department heads to hire the production film crew, and helping to keep the production on schedule throughout the filming process. In pre-production, the Unit Production Manager hires crew members and consults with department heads to fig…
 
Film Crew 101 pulls back the curtain on all the different roles that go into making a film or TV show. Ever wondered what a Gaffer or Best Boy does? Have you dreamt about working in the art department of a major movie but don’t know where to start? Or perhaps you are well on your way building a career in film and TV but want to get more insight int…
 
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