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Battlelines are drawn as the gang is split by differences of opinion over taste and content. What makes a film truly great -- fashion, cinematography, story, vibes? We get closer to the answer as we discuss the largest pool of Best Picture nominees (so far). This episode spoils Arrowsmith, Bad Girl, The Champ, Five Star Final, Grand Hotel, One Hour…
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The otherwise cinematically dismal year (1931) is salvaged by the 11th hour intervention of a groundbreaking German thriller: M. Listen to this preview segment from our bonus episode where we discuss the morality of capital punishment and the origins of true crime. To hear the full version, find us at patreon.com/lightscameraaccolade…
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Jake struggles to pronounce names while the Academy struggles to nominate a good movie this year. 1931 was a terrible year for the economy, and an even worse one for the movies. Problematic doesn’t begin to describe some of these films. This episode spoils Cimarron, East Lynne, The Front Page, Skippy, and Trader Horn…
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You asked, we answered. In this episode, we all learn a little bit more about the origins of film, the structure of the Academy, what the Hays Code was, and some (fun?) trivia about Hollywood's most and least expensive films up to 1930. We also get to share what each of our favorite eras of film is-- turns out there might be a right answer to that …
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We share our unique relationships with scary movies and discuss three of 1920s' finest horror films: Haxan (1922), The Cabinet of Dr. Caligari (1920), and Nosferatu (1922). Except this is just the free preview, so you'll only get to hear the Nosferatu segment. Find the full version at patreon.com/lightscameraaccolade feat. special guest (friend) Ab…
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