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This is the weekly podcast that digs into the entire Tom Petty catalog song by song, album by album and includes conversations with musicians, fans, and people connected with Tom along the way. Follow me on social media: Twitter: https://twitter.com/TomPettyProject Facebook: https://www.facebook.com/thetompettyproject Instagram: https://www.instagram.com/thetompettyproject/ Youtube: https://www.youtube.com/@thetompettyproject Threads: https://www.threads.net/@thetompettyproject (This podcast ...
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It’s a wonderful little piece of fluffy Christmas fare. There’s no big message here, it’s just a nostalgic, whimsical throwback type song and I’m almost surprised that it wasn’t a co-write with Jeff Lynne because it has a bigger ELO feel to it than it does a Heartbreakers feel! And with the addition of all those additional musicians, I do wonder if…
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The second installment of my Artist Conversation Series sees Matt Jaffe return to the show to talk about his fantastic new album, Gone Enough To Miss. It was a joy to nerd out over broad aspects as well as details of the album and our conversation took in some excellent diversions regarding Tik Tok, superstition (not the Stevie Wonder song!) and ho…
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First of all, Changed The Locks by Lucinda Williams is a fantastic song and her delivery of it is sublime and very intimate - a tone that is enhanced by the arrangement that is used on that recording. The Heartbreakers amp up the anger by speeding the track up slightly, making the guitar tones heavier, and adding in that extra guitar phrase. So you…
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This song was a little bit of a grower for me and it’s one that’s definitely gone up a little since I sat down to pull it apart to see what secrets it’s hiding. The fact that, yet again, there is a density to the guitars on this song along with a real simplicity to the parts themselves all accentuated by Tom’s excellent, at times forceful at times …
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“You think that you're above me. You think that you're so big. Well, I saw you kick that dog. When the wind blew off your wig” This is Tom’s brilliant whimsy, channeled through Dylan’s cynicism to fantastic effect. It really means nothing at all, just a very broad way of saying “you’re kind of a dick!” Again I’d love to have notes on this one from …
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“We grew up fast and no-one seemed to notice. We grew up fast and we grew up alone”. All of us latch key kids can relate very easily to what he’s communicating here. Even though our parents loved and supported us, quite often we were just left to our own devices. During school holidays, once I was 9 or 10 years old we were just left at home, left t…
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“Half of me is ocean. Half of me is sky”. There’s something so brilliantly grand and epic about that line. The ocean and the sky are both vast and hint at the complexity of being human. You also have the contrast between something that is heavy, and anchored to a point in the ocean and the wide open, limitless possibilities of the sky. We’ve all sa…
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Pete Nester is down in Gainesville at the Tom Petty Weekend, subbing in for me as I can't be there. He's been doing a fantastic job of connecting me with the weekend via messages, video clips, and photos and he's even gone the extra mile and interviewed a few folks down there! As well as some of the artists, he caught up with some of the amazing cr…
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Another roving report from our man on the ground out at the Tom Petty Weekend in Gainesville. This time, my pal Pete Nester catches up with the main man, Jake Thistle, and also chats to Jared Hart, singer and guitarist with the best-named band you're gonna hear in the next ten years; Lowly Worm and the Fantastic Beverages! Sit back, relax and enjoy…
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Surprise! Here's a special episode for you. My pal and roving reporter Pete Nester, from the Honest and Unmerciful Record Review Podcast, is down in Gainesville and grabbed some time with the brilliant MADWOMAN, who blew him away. The conversation talks focuses heavily on artistry, community, and collaboration. This is a fun, breezy, enjoyable chat…
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Today’s bonus episode is the second part of my conversation with the wonderful Shawn Murphy. We dug down into which opening act he'd like to see at a Heartbreakers show and his choice for which artist to cover which of Tom's songs is an absolute firecracker! Sit back, relax and enjoy my ten questions with Shawn Murphy. Check out the Tom Petty Trail…
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Today’s special episode is part of a fantastic conversation I had with the brilliant Shawn Murphy, a lifelong Pettyhead who built and maintains the amazing Tom Petty Trail.com website. Shawn and I chatted about being an outsider growing up and how music can help us through those difficult formative years as well as his recent battle with cancer and…
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Before we kick off the season proper, let's listen to which version of Walls my guests so far have picked! When I wrote the question, "Which do you prefer, Walls (Circus) or Walls (No. 3), I assumed everyone would pick that latter. It didn't turn out that way!" Guests included, in order; Dallas Heliker, Jake Thistle, Gwen Jones, Janet Lovell, Jeff …
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I enjoyed previewing season ten and talking about Wildflowers before we started digging into the songs and figured, “you know what, let’s do that for each season moving forward!” So I’m going to split this episode into two halves. The first half is a little bit of an intro to this album, in case you’re not familiar or you’re less familiar with it. …
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This week's episode is the fourth installment The Petty 8ight! I love talking to Pettyheads, musicians, and other people who have been influenced by Tom or his music in myriad ways, but I thought it would be neat to see what non-fans, or non-hardcore fans think of Tom's music if I threw deeper cuts at them. My latest #Petty8ight guest is the wonder…
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As the fall leaves come in, Eric Senich starts thinking about listening to his favourite Tom Petty album! Eric is also a fellow drummer so the song he picked to perform with the Heartbreakers is a Stan Lynch part! It's 10 Questions time again and Eric didn't disappoint with his answers! Don't forget to check out Eric's website here, where you can f…
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Today’s episode is a wonderful, sprawling conversation that I had with the inimitable host of the Booked on Rock podcast, Eric Senich. Eric and I met through the Van Halen show, And the Podcast Will Rock, which is hosted by my good pal and Ultimate Catalogue Clash co-host Corey Morrissette. Eric’s knowledge of rock n roll is staggering - and at tim…
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Another excellent conversation with John about an album that we both obviously adore. We both talked a little about how the album lands differently for people of a certain age and particularly the way certain songs resonate with parents. We also get into drumming styles, Spotify stats, and for the first time, we don't run through the producer-for-a…
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Every story needs an ending and this song gives us that final scene of the hero walking away into the sunset to begin the next chapter of their life. It’s an ending that starts a new beginning. It’s a line drawn under the statement that the entire album makes. The statement that pain doesn’t define us. Our reaction to it does. It brings us back to …
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This episode is a fairly hastily organized chat that I had with Jeff Slate and Jake Thistle about the upcoming Wildflowers and Some of the Rest mini-tour that they’re embarking on which kicks off at the Tom Petty Weekend in Gainesville. It was fun digging into the dynamic between the two of them. We recognized that Jake has been performing with Jef…
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I’m expanding the non-Petty aspect of the podcast just a little by looking for conversations with artists who might not be strongly or directly influenced by Tom’s music but share some characteristic or characteristics with his writing or approach to the art of songwriting. This week’s guest, Amelia McLean, is a Nashville-based songwriter who is pr…
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Tom explains to author Paul Zollo in “Conversations with Tom Petty” that “I remember us tracking it all night and being really frustrated that it wasn’t working. Then they came on the idea of having us all walk out, and “Play this like we’ve never heard it before. I’m just gonna start playing, and whatever we fall in on, we’ll go that way.” And tha…
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Today’s episode is part two of my wonderful conversation I had with Nora Hayward Olsen; her answers to my ten questions. Nora hit me with a new artist I'd never heard of and was most apologetic about her decision in the choice between Mudcrutch and The Traveling Wilburys! Don't forget to follow me on social media, like, subscribe, and please, leave…
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Today’s episode is an excellent conversation I had with Tom Petty superfan Nora Hayward Olsen. Nora comments frequently on the podcast socials and was every bit is personable, warm, and funny in person as she is online. Nora was at one of the Fillmore show where the band played Heartbreakers Beach Party which ended up on live album release. That so…
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Today’s episode is a non-Petty episode with Dan Durkin, of among other bands, Petty Theft, the sensational Tom Petty tribute band from San Francisco. Dan has a new single out, which I love, and I asked him if he’d want to come back on the show to talk about it. There’s a definite Petty influence in his first release as a solo artist and we dive int…
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In the liner notes for Wildflowers and all the Rest, Producer Rick Rubin says “So many of these songs have a sloppy soulful groove that really defined this album. The goal was not to make a perfect album but to capture the sound of a band on a really good night recorded quickly with all of the quirks and imperfections that come with it. It took us …
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Today’s bonus episode is a truly awesome conversation I had with Ivan Anderson, the genius mind behind @CyberattackWorld . We talked about his new collaboration EP with @teddigoldmusic that is out now and chatted about his next Cyberattack album too. Then we got into a really free-wheeling conversation about music and creativity that ventured into …
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I always consider this one of Tom’s great ambiguous lyrics. Jaan Uhelzski writes that “Petty seems to be nervously taking stock, weighing options, reminiscing, trying to keep his incipient anxiety at bay and trying to hold on to a few last remnants of his former life.” and Benmont Tench says “It's another song that sounds like it's all about whoeve…
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Today's episode is my ten questions with Tim Bulman. We talk about sick parts, Tim is playing and singing a song from Wildflowers as his pick, and yet another guest finds a way to describe Tom Petty in three words that is unique, personal, and wonderfully eloquent. There's plenty of Beatles chat in this one too, which never upsets me as I'm a huge …
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Today’s episode is part of a fantastic conversation I had with Tom Petty fan Tim Bulman, who also publishes the marvelous Judge Timbers YouTube channel where he covers the Beatles and solo Beatle catalogues as well as, of course, Tom Petty. Tim breaks down the chords with easy tips on how to learn and perform them. We talk lots about being enthusia…
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One of my very favourite virtuoso pianists is a Canadian/German guy named Michael Kaeshammer. The guy absolutely tears the roof off every time I’ve seen him live and what Benmont does here really reminds me of his playing. It’s technically superb, rhythmically perfect, and so, so, so melodic! As much as I love hearing a perfectly-crafted Mike Campb…
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OK, so is this the most complex and musically challenging song that Tom ever wrote? OF course not. Is it have emotional weight or narrative clarity? No and not really? Does it rock, make you want to move your feet, and make you smile? Yes, yes, and yes. The economy and simplicity of the song is what defines its almost sleazy vibe. And I don’t mean …
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With his ex-wife Jane in a really bad emotional and psychological state, Tom knew that a lot of emphasis was falling on him to keep things together at home for the sake of his youngest daughter, Annakim, and it’s all betrayed in that opening line. “It's all I can do to keep that little girl smiling and keep my faith alive”. Today’s guest conversati…
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Today's episode is my ten questions with the wonderful Mary Beth Donnelly, who very kindly joined me on the kick off episode of season ten to talk about the title track from Wildflowers. We chatted about Paul Simon, Jeff Lynne, and everything in between as we went through my ten questions to find out which of Tom's songs she'd like to hear one of C…
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Today's episode is another conversation I had with the wonderful Tommy Edwin. We discussed Travis picking and talked about putting set lists together and whether choose the songs you think the crowd should hear, not the songs you think they want to hear. Tommy was wonderfully warm, engaging, and just generally a wonderful hang and I hope you enjoy …
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When I think about the solo in this song, it has a gravity to it that makes it feel centuries old. You could almost imagine that it has been living underground in some secret grotto since time began, just waiting for the right song to come along and feed it. It feels like a primal life force all its own, as if Mike is possessed by it rather than be…
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In the liner notes for Wildflowers and all the Rest, engineer Jim Scott remarks that “Tom would write a song like ‘Honey Bee’ on the spot and the band would just follow him. There are dozens of recordings just starting a song and making it up from top to bottom, coming up with funny lyrics.” Of course, there are plenty of deep cut or inside example…
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As journalist Jaan Uhelski writes in the Wildflowers and All the Rest liner notes, “If Wildflowers is an album about taking stock of one’s life, “Only a Broken Heart” is a watershed moment on that excavation of self.” Everything about the way the final album version of this song is arranged and produced caters toward that excavation. The busyness o…
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“It's good to be king and have your own way. Get a feeling of peace at the end of the day” There’s security in success, but there’s an ominous cautionary tone that creeps into the next line, “And when your bulldog barks and your canary sings, You're out there with winners, it's good to be king”. When your bulldog barks and your canary sings. Dogs u…
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Legendary Nashville songwriter, Harlan Howard is purported to have coined the expression “three chords and the truth” and friend and colleague Bob Dylan is also remembered for the great line “All I need is my red guitar, three chords and the truth”. Well that’s all this riff is. Three chords. No passing chords, no fancy inversions or suspended note…
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On certain days, I think “Time to Move On” is the best song on Wildflowers, on other days, other songs take that honour. It’s a song that resonates with so many people because it gives us that glimpse into someone finding freedom, if not exactly peace. Despite being the fourth most streamed song from Wildflowers on Spotify, "Time to Move On" was no…
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We’re all quick to judge people, whether they cut us off in the fast lane, or don’t hold a door open for us as we’re heading out of the grocery store. But we don’t know what that person is going through, emotionally, psychologically, physically. That disconnect is amplified a hundredfold when it’s in the context of a famous person. Wealth and stard…
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Everything about the way this song is crafted sneaks up on you. It’s a masterclass in how you take an idea and flesh it out into a fully-fledged tour de force piece of art. And that’s not to say that this song isn’t wonderful when played just on an acoustic guitar, or on piano with just the vocal accompaniment. It’s a great song in its bones, but i…
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When climbers finally decide to take on the holy grail of all ascents, Everest, they first face a nine day journey to base camp, which includes two full rest days. This journey alone weeds out about thirty of explorers. Those who are lucky enough to make the arduous trek to the first staging post are then faced with Mount Everest growing ever upwar…
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One last non-Petty episode before we being digging into Wildflowers! This time, Russell Mark, from The Nextdoors is back to talk about their new single "Swing and a Miss". We talk about perfection in art and whether it's worth striving for, we nerd out over specific production choices and songwriting form, and of course, we talk about Gary Carter, …
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This is another special non-Petty episode of the podcast with the fantastic Jake Thistle, who found time in his insanely busy schedule to sit down with me to discuss his label debut, The Half Left Out. We chatted a little about Gainesville and Tom of course, but mainly we dug into the weeds around his full debut release, with topics ranging from al…
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A really fun one today folks. John and Kevin dig deep into inclusions and ommissions from 1993's Greatest Hits. We have a conversation about formats (CD vs vinyl), chronological ordering vs sequencing, and whether ballads belong on Greatest Hits compilations. Both John and Kevin have one song that the other feels simply doesn't belong on the Greate…
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Today’s episode is the third installment in my Petty 8ight series, where I bring in musicians who aren’t Pettyheads, give them eight deeper cuts that they likely haven’t heard before, and get their thoughts on them. In this episode, my willing newbies are Sean and Todd McGinity. The brothers are based in Winnipeg and have a long history of writing,…
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A major change in this cover version is the format of the lyrics. Something in the Air is a fairly ominous call to arms. The original was released in May of 1969 when the Vietnam War was still raging at its most furious. Speedy Keen said that told ZigZag magazine in 1975 of the song "It was a reflection of what I was seeing at the time". But rather…
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When author Paul Zollo asks Tom about the song in his book Conversations With Tom Petty, and mentions that the song had been partially written some years previously, Tom confirms this, saying, “That was one I wrote during the Full Moon Fever sessions. I wrote all but the chorus. I just had the loop going around and around and really had most of the…
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