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"For anyone wanting to know what it is honestly like to be an actor, this is the podcast for you" - The Stage. A new guest in each episode discusses the things they struggle with, the challenges of being without work, and how they've survived rejection. Hosted by Jonathan Harden. Support this show http://supporter.acast.com/honestactors. See acast.com/privacy for privacy and opt-out information.
 
chicago born and raised, roy kinsey is a bit of an anomaly when it comes to tradition in his respective industries. where being a black, queer-identified, rapper, and librarian may be an intimidating choice for some, roy kinsey’s non-conformist ideology has informed his 4th album, and self proclaimed, “best work yet,” blackie: a story by roy kinsey. featured in and on major local, national, and international publications like Billboard, NPR, WBEZ’s Vocalo, the Chicago Tribune, WGCI and the R ...
 
Alfonso Ciavoli Cortelli, aka DJ FONZIE CIACO is an Italian dee-jay and producer , born in Naples (Italy) on September 21, 1978. 1990 is the year that marks a turning point in his life: He started his passion for music ... so much to be discovered later as a real companion of his life. In 1991 at age 13 he began DJing as a hobby under the name DJ CIACO. He soon acquires the various techniques of mixing on vinyl from his master DJ Silvano Pagani, starting to buy the first vinyl records, drive ...
 
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Author, editor and podcaster Andy Miller is mad as hell and he’s not going to take it anymore: “Bob Dylan is not a safe option!” “The heritage industry around the Beatles and Dylan is neutering the anarchy of the music. The world sees me as just another bloke buying a Dad Rock box set at Christmas. But it’s not a hygienic vision of what rock ‘n’ ro…
 
Music journalist Kate French-Morris, 29, found her calling in a University of California class taught by Greil Marcus (“he gets closer to Bob’s mind than anyone can, with his sideways thinking and his cattiness”). Kate shares a birthday with Dylan, but her main man might be Bruce Springsteen, who figures strongly in this, our first studio recording…
 
While held captive for 32 months by Somali pirates, writer and Dylan fan Michael Scott Moore had plenty of opportunity to contemplate lyrics, especially All Along The Watchtower. He was given a Bible during his captivity and discovered, in Isaiah, “the ramparts, the princes, the two horsemen and the wildcat. The whole song clicked! It’s about the f…
 
Comedy writer Daniel Radosh initiated the Twitter hashtag #BD969, celebrating every officially released Dylan song, as well as posting four Spotify playlists for The 80th Birthday: Bob Dylan For Beginners. We discuss these gems and open up the contentious topic of Dylan’s album cover art, from best to worst and everything in between. Other albums c…
 
Jonathan Taplin, former road manager for The Band, has done it all. He set up the equipment for Dylan’s electric set at Newport in ‘65 (“the soundcheck lasted ten minutes”) and was production manager for Dylan and The Band at the Guthrie Tribute in ’68. He organised the groundbreaking Concert For Bangladesh and produced the concert and film of The …
 
Ann Powers, writer and lead music critic for America’s National Public Radio, joins us from her East Nashville home to discuss gender, sexuality and “the body” in Bob Dylan’s work. Sparked off by an emotional encounter involving Joni Mitchell, Ann compares Mitchell’s work with Dylan’s and discusses other groundbreaking female artists like Roberta F…
 
Journalist Richard Williams joins us to talk Dylan and to surf “the waves of his career”, from Freewheelin’ (“one revelation after another”) to Murder Most Foul (“I was astonished by it. The level of detail. It’s like a John Coltrane quartet.”). Richard reminds us of “one of the great things I learned from Dylan: if you don’t understand something, …
 
Music and political journalist John Harris joins us just before Bob Dylan’s 80th birthday to celebrate the man with “the wink and the nod and the little impish skip” as well as the man who gives us “the solace of emptiness”. Mr Harris is not afraid to go against the grain: “”Love And Theft” is as good as Highway 61 or Blood On The Tracks”. As for J…
 
Nashville musician Charlie McCoy’s Dylan-related achievements include those distinctive guitar licks on Desolation Row, that blues harmonica on Obviously Five Believers (a rare example of another person playing harp on a Dylan session) and the inventive bass lines on John Wesley Harding, Nashville Skyline and Self Portrait. His motto: “Say yes - an…
 
Musician and writer Michael Simmons has written dozens of Dylan cover pieces for MOJO magazine, as well as incisive liner notes for Another Self Portrait and Bob Dylan 1970. “I remember where I was when Kennedy was assassinated and I remember the exact moment I heard Like A Rolling Stone. It sounded like freedom.” He praises Bob as both “a revoluti…
 
To mark our 50th episode, writer and podcaster Tom Jackson gives us his clear-eyed take on Dylan’s “Born Again” albums: Slow Train Coming, Saved, Shot Of Love and Trouble No More. “Slow Train Coming is not a smooth record, not a pleasant record, but I enjoy the tension.” And the accompanying live performances? “They were church services, really. Bu…
 
An interesting look at a moment in January 2020 BC (Before Corona) where I'd invite some artistic, creative, thoughtful, influential friends over to listen to Kinsey: A Memoir for the first time. We had no idea what was to come in the coming months, and this was truly one of the last gatherings we'd hosted at the House Of Marcell (HOM). On the anni…
 
Novelist, former A & R man and screenwriter John Niven begins by summing up Bob’s generally unloved Neighbourhood Bully: “I have a soft spot for Heritage Rock acts trying to do Punk in the late 70’s and early 80’s” before summing up the Dont Look Back days: “When you’re in your 20’s, you’re all about the cruelty”. His response to attending a New Yo…
 
Edward Docx (novelist/screenwriter/journalist) is a hyper-articulate defence witness for some of Bob’s least understood albums: Street-Legal, Infidels, Empire Burlesque and Together Through Life. “There is no uninteresting Dylan album. He opens his veins and says "This is what it’s like for me now."” How passionate is Ed Docx about Bob Dylan? After…
 
Academic and author Pamela Thurschwell gives us her conflicted feminist take on Dylan, including his queer lyrical metaphors and what it’s like to be on the receiving end of a Dylan mansplaining session. Her namechecks range from Amy Rigby, Emma Swift and Joan Baez to Joyce Carol Oates, Annie Hall and Jane Eyre. Pam describes Dylan as “the dangerou…
 
Screenwriter Daragh Carville (ITV’s The Bay) praises Dylan’s “extraordinary ear for spoken language” while reminding us that he “draws on cinema, is fascinated by storytelling but his own films don’t work at all”. All the great story-songs are explored, including Highlands (“I phoned people up, I was so excited!”), Dignity (“it never resolves but a…
 
Sitting on the porch of his Long Island lockdown hideaway, serenaded by a local bird, Loudon Wainwright III reminds us that he was proclaimed “the first of the new Bob Dylans”. It helped me get a record deal but then it got to be a pain in the ass”. He still has a “reservoir of respect, admiration and awe” for the man and his work. “I dream about D…
 
Singer/songwriter/podcaster/painter Dan Bern admits: “It was not lost on me, being an isolated Jewish kid in Iowa, that Bob had come from just up the road in Minnesota.” When he first heard Dylan at age 15 (“everything he was saying had a bit of a sneer to it. It was a portal for me”), he traded in his cello for a guitar and started writing songs. …
 
Actor Rufus Jones (writer and co-star of Channel 4’s Home) has hardly answered the BobPhone before he confesses that, despite his Cambridge English degree, “Dylan still scares the hell out of me”. But he’s relieved that “Bob’s entering a 'jolly grandpa' phase. He seems less concerned with preserving the myth”. Rufus references Beyoncé, the Eagles (…
 
My chat with Steve starts with a kid shitting on his own shoulder and ends with a welshman sipping gin in a camisole. If that doesn't hook you, you're looking at the wrong show. Interview by Jonathan Harden. Recorded via Zoom, June 2020. Studio facilities provided by irishvoiceovers.co.uk See acast.com/privacy for privacy and opt-out information.…
 
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