From the creators of Archive 81 comes The Deep Vault, a serialized audio drama set in an almost-post-apocalyptic United States. The story follows a group of longtime friends as they journey from the uninhabitable surface world into a mysterious underground bunker in search of safety and shelter. New episodes to be released every other Wednesday. Twitter: @thedeepvault Facebook: www.facebook.com/deepvault Website: www.deepvaultpodcast.com Email: deepvaultpodcast@gmail.com Patreon: patreon.com ...
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Conteúdo fornecido por Kirk Curnutt and Robert Trogdon, Kirk Curnutt, and Robert Trogdon. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Kirk Curnutt and Robert Trogdon, Kirk Curnutt, and Robert Trogdon ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.
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Master the 40: The Stories of F. Scott Fitzgerald
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Conteúdo fornecido por Kirk Curnutt and Robert Trogdon, Kirk Curnutt, and Robert Trogdon. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Kirk Curnutt and Robert Trogdon, Kirk Curnutt, and Robert Trogdon ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.
In 1929 F. Scott Fitzgerald wrote Ernest Hemingway that because his short stories now earned $4000 a pop he was "an old whore" who had "mastered the 40 positions" when "in her youth one was enough." But were the upwards of 180 stories he cranked out when not writing The Great Gatsby really the work of a literary prostitute selling out his talent for a fast buck? Kirk Curnutt and Robert Trogdon don't think so. Each episode they draw a random title from a hat and explore its place in Fitzgerald's career, in the magazines such as the Saturday Evening Post or Esquire where it may have appeared, and in the overall development of the American short story. Along the way, they talk literary politics, history, and gossip from the 1920s and 1930s, rediscovering the lively personalities and rivalries that tried to define the porous boundaries between commercial and artistic fiction, between the popular and the avant-garde, between the forgotten and the canonized.
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22 episódios
Marcar/Desmarcar tudo como reproduzido ...
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Manage series 2900822
Conteúdo fornecido por Kirk Curnutt and Robert Trogdon, Kirk Curnutt, and Robert Trogdon. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Kirk Curnutt and Robert Trogdon, Kirk Curnutt, and Robert Trogdon ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.
In 1929 F. Scott Fitzgerald wrote Ernest Hemingway that because his short stories now earned $4000 a pop he was "an old whore" who had "mastered the 40 positions" when "in her youth one was enough." But were the upwards of 180 stories he cranked out when not writing The Great Gatsby really the work of a literary prostitute selling out his talent for a fast buck? Kirk Curnutt and Robert Trogdon don't think so. Each episode they draw a random title from a hat and explore its place in Fitzgerald's career, in the magazines such as the Saturday Evening Post or Esquire where it may have appeared, and in the overall development of the American short story. Along the way, they talk literary politics, history, and gossip from the 1920s and 1930s, rediscovering the lively personalities and rivalries that tried to define the porous boundaries between commercial and artistic fiction, between the popular and the avant-garde, between the forgotten and the canonized.
…
continue reading
22 episódios
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