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Hilde Mosse comes from one of the wealthiest families in Berlin and stands to inherit an enormous fortune. But she longs for something more meaningful than the luxurious lifestyle her family provides. So Hilde decides to pursue her dream of becoming a doctor. As the Nazis take power in Germany and the Mosse family is forced to flee, Dr. Hilde Mosse lands in New York having nearly lost everything.. She finds her calling treating the mental health of Black youth – and the symptoms of a racist system. In addition to photographs, school records, and correspondence spanning Hilde Mosse’s entire lifetime, the Mosse Family Collection in the LBI Archives includes the diaries she kept between 1928 and 1934, from the ages of 16-22. Hilde’s papers are just part of the extensive holdings related to the Mosse Family at LBI. Learn more at lbi.org/hilde . Exile is a production of the Leo Baeck Institute, New York and Antica Productions. It’s narrated by Mandy Patinkin. This episode was written by Lauren Armstrong-Carter. Our executive producers are Laura Regehr, Rami Tzabar, Stuart Coxe, and Bernie Blum. Our producer is Emily Morantz. Research and translation by Isabella Kempf. Voice acting by Hannah Gelman. Sound design and audio mix by Philip Wilson. Theme music by Oliver Wickham. Please consider supporting the work of the Leo Baeck Institute with a tax-deductible contribution by visiting lbi.org/exile2025 . The entire team at Antica Productions and Leo Baeck Institute is deeply saddened by the passing of our Executive Producer, Bernie Blum. We would not have been able to tell these stories without Bernie's generous support. Bernie was also President Emeritus of LBI and Exile would not exist without his energetic and visionary leadership. We extend our condolences to his entire family. May his memory be a blessing. This episode of Exile is made possible in part by a grant from the Conference on Jewish Material Claims Against Germany, which is supported by the German Federal Ministry of Finance and the Foundation Remembrance, Responsibility and Future.…
Conteúdo fornecido por Unutulmaz Podcastler. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Unutulmaz Podcastler ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.
Haftalık Türkçe sinema podcast'i. İletişim: unutulmazpodcastler [at] gmail [dot] com
Conteúdo fornecido por Unutulmaz Podcastler. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Unutulmaz Podcastler ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.
Haftalık Türkçe sinema podcast'i. İletişim: unutulmazpodcastler [at] gmail [dot] com
There sat down, once, a thing on Henry's heart so heavy, if he had a hundred years & more, & weeping, sleepless, in all them time Henry could not make good. Starts again always in Henry's ears the little cough somewhere, an odour, a chime. And there is another thing he has in mind like a grave Sienese face a thousand years would fail to blur the still profiled reproach of. Ghastly, with open eyes, he attends, blind. All the bells say: too late. This is not for tears; thinking. But never did Henry, as he thought he did, end anyone and hacks her body up and hide the pieces, where they may be found. He knows: he went over everyone, & nobody's missing. Often he reckons, in the dawn, them up. Nobody is ever missing. The Dream Songs # 29 - John Berryman…
biz acaip iki film izledik bu ay💕💕💕💕💕 cok etkilendik...cok deniz cok tatil cok hafizali cok gamsiz cok dusunceli cok tedirgin cok tasra cok cahil cok sarhos cok akp cok islak cok susuz cok entellektuel cok sinsi cok duz ama sonu hele SONU😳😳 Bülent, VJ (2022). "Opinions on Burning Days", Twitter. Last Accessed: Jan 8, 2023. https://twitter.com/vjbulentt/status/1603181512983470080…
Hollywood'un Michelle Yeoh'u yeninden keşfetmesinin en güzel sonuçlarından "Everything Everywhere All at Once", fikirlerle dolup taşan bir film. Bu fikirlerin kimisi işliyor kimisi işlemiyor, ama işleyen fikirler de bize yetiyor. Şimdiden yılın en iyi filmlerinden, bize de hayli şey düşündürttü, zihnimizi filme yaraşır biçimde [plansızca/umursamazca/heyecanla] mikrofona döktük. Keyifle dinleyeceğinizi umarız.…
Matt Reeves'in yapıbozumculuğu, kara film türünün reaksiyonerliği, Christopher Nolan'ın düzen seviciliği, Bruce Wayne'in ayrıcalığı, Amerikan liberallerinin endişesi, Batman'in dönüp dolaşıp yine beyaz kurtarıcı olması, 3 saatlik filmin izlenemezliği, ve tabii ki Robert Pattinson'ın çene çizgisi...
"Herkes çocuk sahibi olmak zorunda mı?" şiarıyla yola çıkıp The Worst Person in the World, C'mon C'mon ve The Lost Daughter'ı ele aldığımız yeni bölümümüzle karşınızdayız. The Worst Person in the World ile How to Lose a Guy in 10 Days arasındaki farklar nelerdir, Arda'nın C'mon C'mon'daki çocukla derdi nedir, ve en önemlisi GYLLENHAAL AİLESİNİN EVİNDE NEDEN BU KADAR ÇOK KANEPE VAR??? sorularına yanıt aranırken, konu The Lost Daughter'ın finaline geldiğinde kılıçlar çekiliyor. Dinleyiniz.…
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