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Conteúdo fornecido por Claire Bolton, Dan Gibbins, and Erin Weir, Claire Bolton, Dan Gibbins, and Erin Weir. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Claire Bolton, Dan Gibbins, and Erin Weir, Claire Bolton, Dan Gibbins, and Erin Weir ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.
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Academy Vs Audience

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Manage series 3312526
Conteúdo fornecido por Claire Bolton, Dan Gibbins, and Erin Weir, Claire Bolton, Dan Gibbins, and Erin Weir. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Claire Bolton, Dan Gibbins, and Erin Weir, Claire Bolton, Dan Gibbins, and Erin Weir ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.
Ever since 1928, the Academy of Motion Picture Arts and Sciences has handed out trophies to what it considered the best in film. Sometimes they were absolutely right, sometimes they were entirely wrong, sometimes they were so, so basic. But in all that time, audiences have had their own opinions, sometimes better, sometimes much worse. And sometimes, when the stars align or the fates allow, they even agree. Academy Vs Audience is a deep dive into Oscar history, revisiting film history from the 1920s to the 2020s; from the Studio Era to the age of the IP Franchise; from the age of the silent film to the age of the novelty silent film. Claire, Erin, and Dan take on each year’s Best Picture according to the Academy, and the Box Office Champ selected by audience dollars*. It’s a fascinating look at enduring classics and a descent into madness, because History Is Always Terrible and audiences make questionable choices.(*Based on revenue earned during its initial run, and the year said run began in. No re-releases. Lots of movies become audience favourites years after their initial release, you are not special, Billy Jack.)
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60 episódios

Artwork

Academy Vs Audience

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Manage series 3312526
Conteúdo fornecido por Claire Bolton, Dan Gibbins, and Erin Weir, Claire Bolton, Dan Gibbins, and Erin Weir. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Claire Bolton, Dan Gibbins, and Erin Weir, Claire Bolton, Dan Gibbins, and Erin Weir ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.
Ever since 1928, the Academy of Motion Picture Arts and Sciences has handed out trophies to what it considered the best in film. Sometimes they were absolutely right, sometimes they were entirely wrong, sometimes they were so, so basic. But in all that time, audiences have had their own opinions, sometimes better, sometimes much worse. And sometimes, when the stars align or the fates allow, they even agree. Academy Vs Audience is a deep dive into Oscar history, revisiting film history from the 1920s to the 2020s; from the Studio Era to the age of the IP Franchise; from the age of the silent film to the age of the novelty silent film. Claire, Erin, and Dan take on each year’s Best Picture according to the Academy, and the Box Office Champ selected by audience dollars*. It’s a fascinating look at enduring classics and a descent into madness, because History Is Always Terrible and audiences make questionable choices.(*Based on revenue earned during its initial run, and the year said run began in. No re-releases. Lots of movies become audience favourites years after their initial release, you are not special, Billy Jack.)
  continue reading

60 episódios

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