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21 - Projection with Genevieve Havemeyer-King

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Conteúdo fornecido por Screen Slate. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Screen Slate ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.

Projectionist Genevieve Havemeyer-King joins us to talk about recent articles on theatrical film exhibition in The New York Times, Vulture, and n+1. Along with co-host John Klacsmann of Anthology Film Archives, we get into how pre-digital trends toward multiplex automation, corporate union busting, and studios stacking the deck in their favor with the DCP specification have shaped the current state of theatrical film presentation. We also talk about 35mm projection, 70mm blow-ups, the projectionist as mechanic vs. magician, and how the repertory experience is changing.
A full-length bonus episode about Regal Union Square, Peter Kubelka's Invisible Cinema, ChatGPT, and New York slasher movies is coming soon for our Patreon subscribers.
Hosts: Jon Dieringer & John Klacsmann; Editor: John Klacsmann; Producer: Marielle Ingram
Links:
Genevieve Havemeyer-King website
Digital Rocks (Will Tavlin, n+1)
Why New Yorkers Still ❤️ Film (Ted Alcorn, New York Times)
Bad Projection Is Ruining the Movie Theater Experience (Lane Brown, Vulture)
Avant-garde film preservation (Klax & JD in discussion on Screen Slate)

Support the show

The Screen Slate Podcast is supported by its Patreon members. Sign up and get access to bonus episodes, our lockdown-era streaming series archives, discounts from partners like Criterion and Posteritati, event invitations, and more.

  continue reading

43 episódios

Artwork
iconCompartilhar
 
Manage episode 358620182 series 3303733
Conteúdo fornecido por Screen Slate. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Screen Slate ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.

Projectionist Genevieve Havemeyer-King joins us to talk about recent articles on theatrical film exhibition in The New York Times, Vulture, and n+1. Along with co-host John Klacsmann of Anthology Film Archives, we get into how pre-digital trends toward multiplex automation, corporate union busting, and studios stacking the deck in their favor with the DCP specification have shaped the current state of theatrical film presentation. We also talk about 35mm projection, 70mm blow-ups, the projectionist as mechanic vs. magician, and how the repertory experience is changing.
A full-length bonus episode about Regal Union Square, Peter Kubelka's Invisible Cinema, ChatGPT, and New York slasher movies is coming soon for our Patreon subscribers.
Hosts: Jon Dieringer & John Klacsmann; Editor: John Klacsmann; Producer: Marielle Ingram
Links:
Genevieve Havemeyer-King website
Digital Rocks (Will Tavlin, n+1)
Why New Yorkers Still ❤️ Film (Ted Alcorn, New York Times)
Bad Projection Is Ruining the Movie Theater Experience (Lane Brown, Vulture)
Avant-garde film preservation (Klax & JD in discussion on Screen Slate)

Support the show

The Screen Slate Podcast is supported by its Patreon members. Sign up and get access to bonus episodes, our lockdown-era streaming series archives, discounts from partners like Criterion and Posteritati, event invitations, and more.

  continue reading

43 episódios

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