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DSOP Throwback: Double or Nothing -- "1492: The Conquest of Paradise" (1992) / "Christopher Columbus: The Discovery" (1992)

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Conteúdo fornecido por Nathan Zoebl. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Nathan Zoebl ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.

Between new episodes, we're opening up some of our favorite back catalogue episodes to give you a chance to relisten to what we consider some of the most entertaining episodes across the decade-plus of podcasting.

"The "Dirty Sons of Pitches" are adding another new format change to their long-standing podcast, this time examining similar movies released in short order from one another. The guys kick things off by exploring the two Christopher Columbus biopics released in 1992, both of which are bad but for different reasons. "Columbus: The Discovery" is the cheaper, sillier, but strangely more accountable version, whereas Ridley Scott's "1492: Conquest of Paradise" is the bigger production but far more boring and more morally egregious even as it had less exploitation aims.

Available on Apple and Spotify

Episode 362 includes:

-Trailer reactions for "The Whale," the Guilermo del Toro "Pinnochio," and "Glass Onion."

-Elon Musk and Kanye West.... finally bearing some consequences of their idiocy.

-Ben feels like "Black Adam" is a step down for The Rock.

-The Weird Al biopic is about eveyrhting you would want it to be.

-Double or Nothing -- "Christopher Columbus: The Discovery" / "1492: Conquest of Paradise"

-The guys discuss the dueling Christopher Columbus movies released in 1992, marking the 500th anniversary but delivered to a very different market. Both movies have some fleeting artistic merit but are mostly hagiogrpahies of Columbus and excuse his many historical atrocities to other convenient guilty parties. This is a figure whose historical evaluation has gone through great changes, but even in 1992, he was protrayed by Hollywood as a heroic visionary ahead of his time, and the movies are just wrong in so many frustrating ways."

  continue reading

100 episódios

Artwork
iconCompartilhar
 
Manage episode 406492589 series 1082416
Conteúdo fornecido por Nathan Zoebl. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Nathan Zoebl ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.

Between new episodes, we're opening up some of our favorite back catalogue episodes to give you a chance to relisten to what we consider some of the most entertaining episodes across the decade-plus of podcasting.

"The "Dirty Sons of Pitches" are adding another new format change to their long-standing podcast, this time examining similar movies released in short order from one another. The guys kick things off by exploring the two Christopher Columbus biopics released in 1992, both of which are bad but for different reasons. "Columbus: The Discovery" is the cheaper, sillier, but strangely more accountable version, whereas Ridley Scott's "1492: Conquest of Paradise" is the bigger production but far more boring and more morally egregious even as it had less exploitation aims.

Available on Apple and Spotify

Episode 362 includes:

-Trailer reactions for "The Whale," the Guilermo del Toro "Pinnochio," and "Glass Onion."

-Elon Musk and Kanye West.... finally bearing some consequences of their idiocy.

-Ben feels like "Black Adam" is a step down for The Rock.

-The Weird Al biopic is about eveyrhting you would want it to be.

-Double or Nothing -- "Christopher Columbus: The Discovery" / "1492: Conquest of Paradise"

-The guys discuss the dueling Christopher Columbus movies released in 1992, marking the 500th anniversary but delivered to a very different market. Both movies have some fleeting artistic merit but are mostly hagiogrpahies of Columbus and excuse his many historical atrocities to other convenient guilty parties. This is a figure whose historical evaluation has gone through great changes, but even in 1992, he was protrayed by Hollywood as a heroic visionary ahead of his time, and the movies are just wrong in so many frustrating ways."

  continue reading

100 episódios

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