This brand new poetry podcast began as a fun experiment between two like-minded artists who share a passion for music, verse and prose, one another's company, and the occasional Cote du Rhone. Intended to cover a variety of inspiring and compelling themes, it begins with pieces devoted to New York City, and continues on to some of the great male speeches of Shakespeare. Composer and conductor Daniela Candillari creates an original score set to recitation performed by Theatre and Film actress ...
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An improvised piece of music underscoring "Dance Interrupted" by Dana Stone.Por Studio 4-88
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"Dance Interrupted" by Dana Stone - Behind The Mic
3:41
3:41
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3:41
A little background on how we put "Dance Interrupted" together.Por Studio 4-88
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An improvised piece of music underscoring "The Call" by Robert Golden.Por Studio 4-88
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"The Call" by Robert Golden - Behind The Mic
3:31
3:31
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3:31
A little background on how we put "The Call" togetherPor Studio 4-88
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An improvised piece of music underscoring "The Girls" by Robert Rubin.Por Studio 4-88
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"The Girls" by Robert Rubin - Behind The Mic
5:21
5:21
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5:21
A little background on how we put "The Girls" together.Por Studio 4-88
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"Romeo and Juliet" by William Shakespeare (IIii)
10:28
10:28
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10:28
An improvised piano piece underscoring balcony scene from "Romeo and Juliet" by William Shakespeare (IIii).Por Studio 4-88
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A little background on how we put "Romeo and Juliet" together.Por Studio 4-88
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Biron, "Love's Labour's Lost" by William Shakespeare (IViii)
4:20
4:20
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4:20
An improvised piano piece underscoring "Biron" from "Love's Labour's Lost" by William Shakespeare (IViii).Por Studio 4-88
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A little background on how we put "Biron" together.Por Studio 4-88
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Brutus, "Julius Caesar" by William Shakespeare (IIi)
3:02
3:02
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3:02
An improvised piano piece underscoring "Brutus" from "Julius Caesar" by William Shakespeare (IIi).Por Studio 4-88
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A little background on how we put "Brutus" together.Por Studio 4-88
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Shylock, "The Merchant of Venice" by William Shakespeare (Iiii)
3:22
3:22
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3:22
An improvised piano piece underscoring "Shylock" from "The Merchant of Venice" by William Shakespeare (Iiii).Por Studio 4-88
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A little background on how we put "Shylock" together.Por Studio 4-88
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Edmund, "King Lear" by William Shakespeare (Iii)
1:17
1:17
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1:17
An improvised piano piece underscoring "Edmund" from "King Lear" by William Shakespeare (Iii).Por Studio 4-88
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A little background on how we put "Edmund" together.Por Studio 4-88
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Aaron the Moor, "Titus Andronicus" by William Shakespeare (Vi)
2:19
2:19
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2:19
An improvised piano piece underscoring "Aaron the Moor" from "Titus Andronicus" by William Shakespeare (Vi).Por Studio 4-88
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A little background on how we put "Aaron the Moor" together.Por Studio 4-88
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An improvised piano piece underscoring "As I Began to Love Myself"; author unknown.Por Studio 4-88
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A little background on how we put "As I Began to Love Myself" together.Por Studio 4-88
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1
"Red Carpet Loneliness" by Carrie Richards
1:47
1:47
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1:47
An improvised piano piece underscoring "Red Carpet Loneliness" by Carrie Richards.Por Studio 4-88
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A little background on how we put "Red Carpet Loneliness" together.Por Studio 4-88
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1
"Wynken, Blynken, and Nod" by Eugene Field
2:26
2:26
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2:26
An improvised piano piece underscoring "Wynken, Blynken, and Nod" by Eugene Field.Por Studio 4-88
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1
Wynken, Blynken, and Nod - Behind the Mic
5:15
5:15
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5:15
A little background on how we put "Wynken, Blynken, and Nod" together.Por Studio 4-88
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An improvised piano piece underscoring "Broadway" by Edith Matilda Thomas.Por Studio 4-88
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A little background on how we put "Broadway" together.Por Studio 4-88
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A little background on how we put "Mannahatta" together.Por Studio 4-88
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An improvised piano piece underscoring "Mannahatta" by Walt WhitmanPor Studio 4-88
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