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We live in a generation that is more focused on posting about Jesus than actually knowing Him. What would life look like if talking about Jesus and serving others came from the overflow and not a way to feel better about ourselves? The Bible tells us the key to this kind of peace. 'The Carew Ellington Podcast' is the thoughts, ideas, and revelations God gives me in my time with Him. Are you ready to go deeper?
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Salvaged Souls is weekly Sermons and Bible Studies by Reverend Ellington, Pastor of New Horizon Ministries. The show will also produce intermittent Interviews and Commentary on today’s mainstream topics and news by Reverend Ellington. Support this podcast: https://podcasters.spotify.com/pod/show/new-horizon-ministries/support
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What does it look like to live a life free of secrecy and shame? Carew speaks the truth about living in the light and finding redemption through Jesus. In this heartfelt and powerful sermon, Carew Ellington opens up about his past struggles with his identity and trauma, sharing his journey toward healing and freedom through sonship in Jesus.…
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https://ellingtonreflections.com/wp-content/uploads/2019/05/happy-birthday-podcast.mp3 Happy Birthday, Duke! Duke Ellington was born on this date 125 years ago. Today also marks the 7th anniversary for podcast/blog Ellington Reflections. I’m currently editing my Cootie Williams biography and securing the necessary image permissions, so it may be a …
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“At Columbia University’s New College, where I was studying engineering, my instructors constantly inquired whether I had written any songs. I was persuaded to sit down and play several of my compositions for them. Next they demanded why I wasn’t studying music formally. Their insistence convinced me that I ought to take a try.” Mercer Ellington, N…
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“Jimmy Jones is a close member of our musical family. Outside of our original version, he and Toby Hardwick were the first to do “Come Sunday.” I have had many different associations with him, the most notable being when we did My People in Chicago in 1963. I could not be there during the entire run, and he took over many of my responsibilities, pl…
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“Harold “Shorty” Baker came into the band in 1942 to give us our first trumpet section of four. He joined Ray Nance, Rex Stewart, and Wallace Jones, and with his phenomenal phrasing and tone control he was an immense asset. He ad-libbed hot or blues as though he were recalling some beautiful dreams of St. Louis, his home and birthplace. His way of …
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“Bill “Bojangles” Robinson and Wellman Braud were like Jelly [Roll Morton]; they’d talk as long as anyone would listen and hung around outside the Band Box. After Braud got written up in Ripley’s “Believe It or Not” column, he was too big for anybody. Ripley said he could pick faster than any bass player. He quit Duke’s band and started one of his …
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The recordings heard on this podcast episode: (CD: “Duke Ellington, The Centennial Edition” RCA Victor ‎– 09026-63386-2) I Can’t Give You Anything But Love (Recorded 30 October 1928 and 10 November 1928, NYC) Arthur Whetsel, Freddie Jenkins – trumpet; Joe Nanton – trombone; Barney Bigard, Johnny Hodges, Harry Carney – reeds; Duke Ellington – piano;…
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https://ellingtonreflections.com/wp-content/uploads/2023/09/portrait-of-arthur-whetsel.mp3 “As a trumpet player, [Arthur Whetsel] had a tonal personality that has never really been duplicated. Sweet, but not syrupy, nor schmaltzy, nor surrealistic, it had a superiority of extrasensory dimensions. Both as a soloist and from the point of view of team…
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https://ellingtonreflections.com/wp-content/uploads/2023/08/portrait-of-norris-turney.mp3 Norris Turney (Photo by Jan Persson) The recordings heard on this podcast episode: Checkered Hat (CD: “Togo Brava Suite” Storyville Records STCD 8323) Recorded 3 February 1971, New York City Cootie Williams, Eddie Preston, Harold “Money” Johnson, Mercer Elling…
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In 1967, the west African nation of Togo released a postage stamp of Duke Ellington. Ellington reciprocated by writing the four movement Togo Brava Suite in 1971, the subject of this month’s episode of Ellington Reflections. 1967 Togo postage stamp celebrating Duke Ellington A performance of the Togo Brava Suite performed by the European Broadcasti…
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“Then in 1960 we came up with Suite Thursday for the Monterey Festival that year…we tried to parallel John Steinbeck’s story, “Sweet Thursday,” which was set in Monterey’s Cannery Row.” Duke Ellington, Music is my Mistress https://ellingtonreflections.com/wp-content/uploads/2023/05/suite-thursday.mp3 The recordings heard on this podcast episode: Mi…
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https://ellingtonreflections.com/wp-content/uploads/2023/04/parisian-celebration-23_004.mp3 “Over on the Left Bank in Paris, Billy Strayhorn and Aaron Bridgers and their In crowd used to take us to a place called Le Paysan on the Rue de Tournon, where we would have wonderful French soul food. Wine and appetizers would be served, and seated comforta…
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https://ellingtonreflections.com/wp-content/uploads/2023/03/city-of-lights.mp3 ELLINGTON MEETING 2023 Since 1981, Ellington experts from around the world have been meeting every year in order to exchange and share their knowledge about Duke Ellington’s work and life. After the US, England, Canada, Denmark, Sweden and the Netherlands, La Maison du D…
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https://ellingtonreflections.com/wp-content/uploads/2023/03/one-more-once.mp3 The recordings heard on this podcast episode: Drop Me Off in Harlem (CD: “Continuum” Fantasy FANCD 24765) Recorded 16-17 July 1974, New York City Mercer Ellington – conductor; Cootie Williams, James “Buddy” Bolden, Harold “Money” Johnson, Barrie Lee Hall, Jr. – trumpet; A…
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https://ellingtonreflections.com/wp-content/uploads/2023/01/reminiscing-in-tempo.mp3 “Every page of that particular manuscript [Reminiscing in Tempo] was dotted with smears and unshapely marks caused by tears that had fallen. I would sit and gaze into space, pat my foot, and say to myself, “Now, Edward, you know she would not want you to disintegra…
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