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New Books in Music
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Conteúdo fornecido por New Books Network and Marshall Poe. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por New Books Network and Marshall Poe ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.
Interviews with Scholars of Music about their New Books Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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759 episódios
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Conteúdo fornecido por New Books Network and Marshall Poe. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por New Books Network and Marshall Poe ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.
Interviews with Scholars of Music about their New Books Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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New Books in Music

1 Anna Maria Busse Berger and Henry Spiller, "Missionaries, Anthropologists, and Music in the Indonesian Archipelago" (U California Press, 2025) 1:09:04
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Although the history of Indonesian music has received much attention from ethnomusicologists and Western composers alike, almost nothing has been written on the interaction of missionaries with local culture. Missionaries, Anthropologists, and Music in the Indonesian Archipelago (U California Press, 2025) represents the first attempt to concentrate on the musical dimension of missionary activities in Indonesia. In fourteen essays, a group of distinguished scholars show the complexity of the topic: while some missionaries did important scholarship on local music, making recordings and attempting to use local music in services, others tried to suppress whatever they found. Many were collaborating closely with anthropologists who admitted freely that they could not have done their work without them. And both parties brought colonial biases into their work. By grappling with these realities and records, this book is a collective effort to decolonize the project of making music histories. Byung Ho Choi is a Ph.D. candidate in the History and Ecumenics program at Princeton Theological Seminary, concentrating in World Christianity and history of religions. His research focuses on the indigenous expressions of Christianities found in Southeast Asia, particularly Christianity that is practiced in the Muslim-dominant archipelagic nation of Indonesia. More broadly, he is interested in history and the anthropology of Christianity, complexities of religious conversion and social identity, inter-religious dialogue, ecumenism, and World Christianity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Mark Doyle, "John Cale's Paris 1919" (Bloomsbury, 2025) 1:01:31
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John Cale's enigmatic masterpiece, Paris 1919 , appeared at a time when the artist and his world were changing forever. It was 1973, the year of the Watergate hearings and the oil crisis, and Cale was at a crossroads. The white-hot rage of his Velvet Underground days was nearly spent; now he was living in Los Angeles, working for a record company and making music when time allowed. He needed to lay to rest some ghosts, but he couldn't do that without scaring up others. Paris 1919 was the result. In John Cale’s Paris 1919 (Bloomsbury, 2025), Mark Doyle hunts down the ghosts haunting Cale's most enduring solo album. There are the ghosts of New York - of the Velvets, Nico, and Warhol - that he smuggled into Los Angeles in his luggage. There is the ghost of Dylan Thomas, a fellow Welshman who haunts not just Paris 1919 but much of Cale's life and art. There are the ghosts of history, of a failed peace and the artists who sought the truth in dreams. And there are the ghosts of Christmas, surprising visitors who bring a nostalgic warmth and a touch of wintry dread. With erudition and wit, Doyle offers new ways to listen to an old album whose mysteries will never fully be resolved. Mark Doyle is a Professor of History at Middle Tennessee State University, USA. He is the author of The Kinks: Songs of the Semi-Detached (2020), Communal Violence in the British Empire (Bloomsbury 2016), and Fighting Like the Devil for the Sake of God (2009). Mark Doyle on Bluesky . Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America . He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Gemini Books, Fall 2025). Bradley Morgan on Bluesky . Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

Warren Zanes is a “rockstar biographer” in more ways than one: he has experienced life as a rockstar, a biographer, and a biographer of rockstars. When Mack first met Warren in New Orleans sometime in the late 80s or early 90s, Zanes was then emerging from the wreckage of meteoric success. He’d been the teenage guitarist in critically acclaimed band The Del Fuegos , who briefly broke into the national popular consciousness—and then just plain broke up. But in the years since, Zanes remade himself into one of our most erudite and entertaining public scholars of popular music. Among other things, he’s been Vice President of Education and Public Programs at The Rock and Roll Hall of Fame, a consulting producer on the Oscar-winning film Twenty Feet from Stardom , a producer on the Grammy-nominated PBS/ Soundbreaking series, and he conducted interviews for Martin Scorsese’s George Harrison documentary. All while keeping up a solo recording career with collaborators such as the Dust Brothers. Warren’s books include the first volume in the celebrated 33 1/3 Series, Dusty in Memphis ; Petty: The Biography and Revolutions in Sound: Warner Bros. Records . His latest book is called Deliver Me from Nowhere . On its face, it’s a book about the making of Bruce Springsteen’s classic lo-fi album Nebraska . But it’s also about sound technology, musicianship teetering in a moment between the analog and digital eras, what it means to be in a band, and the relationship between the four-track cassette recorder and social alienation in Reagan era. In this interview, Warren talks about his journey, the recent book, his craft as a writer, and—as part of our mini-theme this season on audiobooks—the process of narrating his own audiobooks and why he does so. And for our Patrons we’ll have Warren’s What’s Good segment, with something good to read, listen to, and do. You can join us at patreon.com/phantompower . Today’s show was edited by Nisso Sacha and Mack Hagood. Transcript and web content by Katelyn Phan Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Julie Malnig, "Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s" (Oxford UP, 2023) 48:05
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Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience. The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Liz William, "Rough Music: Folk Customs, Transgression and Alternative Britain" (Reaktion, 2025) 40:28
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Rough Music: Folk Customs, Transgression and Alternative Britain (Reaktion, 2025) by Liz Williams explores transgression and shame in British folklore and customs from ancient Britain to the present day. From Bonfire Night to Wassail, Morris dancing, Mari Lwyd and Twelfth Night, along with events like street football and the Cooper’s Hill Cheese-Rolling and Wake, Liz Williams reveals the roots and roles of violence, mockery, protest and public shaming. She also looks at alternative culture and modern protests, such as the Battle of the Beanfield and the Stonehenge Free Festival, as well as interaction between racism and traditions involving blackface, alongside the emergence of all-female Morris sides.This engaging book offers an entertaining and revealing look at British folklore and culture. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher , wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Koen Galle, "Fuse, Thirty Years of Making Noise" (AfterClub, 2024) 34:41
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In 1994, Fuse opened its doors on the Rue Blaes in downtown Brussels. From early on, this nightclub attracted Detroit techno pioneers Carl Craig, Jeff Mills, and Juan Atkins and cutting-edge French innovators like Laurent Garnier and Daft Punk. Over time, Fuse became one of the most important clubs on the European techno scene and, to celebrate its 30th birthday last year, Koen Galle published Fuse: 30yrs Of Making Noise (AfterClub, 2024). In this recording of a live event, Galle talks to Simon Taylor about the glory days of Fuse and what has made it one of the longest-surviving clubs in Europe – outlasting and predating more famous venues like Trezor and Bergheim in Berlin. Formerly a DJ, Koen Galle founded publishing house AfterClub to uncover stories about Belgium's rich electronic music culture and nightlife. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Simon Morrison, "Tchaikovsky's Empire: A New Life of Russia's Greatest Composer" (Yale UP, 2024) 37:10
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Tchaikovsky is famous for all the wrong reasons. Portrayed as a hopeless romantic, a suffering melancholic, or a morbid obsessive, the Tchaikovsky we think we know is a shadow of the fascinating reality. It is all too easy to forget that he composed an empire's worth of music, and navigated the imperial Russian court to great advantage. In this iconoclastic biography, celebrated author Simon Morrison re-creates Tchaikovsky's complex world. His life and art were framed by Russian national ambition, and his work was the emanation of an imperial subject: kaleidoscopic, capacious, cosmopolitan, decentred. Morrison reexamines the relationship between Tchaikovsky's music, personal life, and politics; his support of Tsars Alexander II and III; and his engagement with the cultures of the imperial margins, in Ukraine, Poland, and the Caucasus. Tchaikovsky's Empire: A New Life of Russia's Greatest Composer (Yale UP, 2024) unsettles everything we thought we knew--and gives us a vivid new appreciation of Russia's most popular composer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Paul R. Laird and Elizabeth A. Wells, "The Cambridge Companion to West Side Story" (Cambridge UP, 2024) 1:04:50
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Over sixty years after its opening night, West Side Story is perhaps the most famous and beloved of twentieth-century musicals and stands as a colossus of musical and dramatic achievement. It not only helped define a generation of musical theatre lovers but is among the handful of shows that have contributed to our understanding of American musical identity at mid-century. Bringing together contemporary scholars in music, theatre, dance, literature, and performance, The Cambridge Companion to West Side Story (Cambridge UP, 2024) explores this explosive 1950s remake of Shakespeare's Romeo and Juliet and its portrayal of the raw passion, rivalries, jealousy and rage that doom the young lovers to their tragic fate. Organized thematically, chapters range from Broadway's history and precursors to West Side Story ; the early careers of its creators; the show's score with emphasis on writing, production, and orchestrations; issues of class, colorism, and racism; New York's gang culture, and how the show's legacy can be found in popular culture throughout the world. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Radha Kapuria and Vebhuti Duggal, "Punjab Sounds: In and Beyond the Region" (Routledge, 2024) 1:09:44
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Punjab Sounds (Routledge, 2024) nuances our understanding of the region's imbrications with sound. It argues that rather than being territorially bounded, the region only emerges in 'regioning', i.e., in words, gestures, objects, and techniques that do the region. Regioning sound reveals the relationship between sound and the region in three interlinked ways: in doing , knowing, and feeling the region through sound. The volume covers several musical genres of the Punjab region, including within its geographical remit the Punjabi diaspora and east and west Punjab. It also provides new understandings of the role that ephemeral cultural expressions, especially music and sound, play in the formulation of Punjabi identity. Featuring contributions from scholars across North America, South Asia, Europe, and the UK, it brings together diverse perspectives. The chapters use a range of different methods, ranging from computational analysis and ethnography to close textual analysis, demonstrating some of the ways in which research on music and sound can be carried out. The chapters will be relevant for anyone working on Punjab's music, including the Punjabi diaspora, music, and sound in the Global South. Moreover, it will be useful for undergraduate and postgraduate students in the following areas: ethnomusicology, cultural studies, film studies, music studies, South Asian studies, Punjab studies, history, and sound studies, among others. Radha Kapuria is Assistant Professor of South Asian History at Durham University, UK, and the author of Music in Colonial Punjab: Courtesans, Bards, and Connoisseurs, 1800 – 1947 . Vebhuti Duggal is Assistant Professor in Film Studies at the School of Culture and Creative Expressions, Ambedkar University Delhi, and Associate Editor of the journal BioScope: South Asian Screen Studies . Khadeeja Amenda is PhD candidate in the Cultural Studies in Asia programme at the Department of Communication and New Media, National University of Singapore, Singapore. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Lauren E. Osborne, "Hearing Islam: The Sounds of a Global Religious Tradition" (Routledge, 2024) 1:41:18
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In Hearing Islam: The Sounds of a Global Religious Tradition , Lauren Osborne delves into the sonic dimensions of Islam, exploring how the tradition’s rich soundscape offers deep insights into culture, identity, and spirituality. In this innovative work, Osborne shifts the focus from the written word to the auditory, asking, "What can we learn about Islam when we enter through its sounds, instead of books?" This approach provides a unique lens through which to study the intersections of modernity, belonging, and pluralism in Muslim-majority cultures. The book explores the centrality of sound within Islam, from the recitation of the Qur’an to the daily practices of prayer, the call to prayer ( adhaan ), and the sonic expressions found in Islamic chantings, nasheeds, qawwalis, and even contemporary genres like hip-hop. Osborne also tackles the underexplored intersection of deafness and Islam, shedding light on how the experience of deafness intersects with a traditionally "hearing" religion. In today’s interview, Osborne discusses the core themes of the book, including the debates around music’s role in Islam, the relationship between Sufism and music, and the significant cultural conversations surrounding hip-hop’s place within the Islamic world. This book is an essential resource for students of Islam, religious studies, world music, and anyone interested in the profound role of sound in shaping human experiences across diverse cultures. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

Today we explore the mythology around John Cage’s visit to the anechoic chamber. The chamber was designed to completely eliminate echoes. Ironically, the tale of Cage’s experience in that space has echoed through history, affecting our understanding of silence, sound, and the self. But what do we really know about what happened there? And what could we ever know about such an event? In this audio essay, based on a piece that first appeared in the Australian Humanities Review , Mack Hagood explores the relationship between sound, self, and meaning-making. To use a term Cage loved, the truth is indeterminate. For our Patreon members we have bonus content: Mack’s “What’s Good” segment. Join at patreon.com/phantompower . Writing and media content featured in this episode: Mack’s essay “ Cage’s Echoes of the Anechoic ,” in AHR Issue 70 (2022). Nam June Paik’s 1973 video Global Groove John Cage’s 1959 album with David Tudor, Indeterminacy John Cage’s book Silence (Wesleyan, 1961). The video Can Silence Actually Drive you Crazy by Veritasium Terry Gross’s 2014 Fresh Air interview with Trevor Cox The album Naxi Live by Jang San and the Dayan Naxi orchestra Shani Diluka’s performance of “ Glassworks: Opening ” by Philip Glass Amit Pinchevsky’s book Echo (MIT, 2022) Helen Rees’ book Echoes of History: Naxi Music in Modern China (Oxford, 2011) Today’s show was written and edited by Mack Hagood. Original music and sound design by Mack Hagood. Special thanks to Monique Rooney and Australian Humanities Review Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Ariane Sherine, "The Real Sinéad O'Connor" (White Owl, 2024) 51:14
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Sinéad O'Connor, renowned for her angelic voice and activism, overcame a tumultuous upbringing to become a global protest singer and advocate for social justice. O'Connor achieved worldwide success as an angel-voiced, shaven-headed Irish singer of heartfelt songs, but she was far more than just a pop star - she was also an activist and a survivor. Reeling from a troubled childhood at the hands of her violent mother, she spent 18 months living in a former Magdalene Laundry due to her truancy and shoplifting, and suffered her mother's death in a car crash - all by the age of 18. Her pain, anger and compassion would turn her into one of the world's greatest protest singers and activists. She would release ten studio albums during her 36-year music career - the second of which ( I Do Not Want What I Haven't Got ) would reach number 1 across the world and earn her ten million pounds, half of which she gave to charity. During this time, she would also advocate for survivors of child abuse and racism, and stand up for the LGBT community and women's reproductive rights. Most notably, she would tear up a picture of Pope John Paul II during an episode of Saturday Night Live in order to protest at child sex abuse within the Catholic church, creating headlines around the world and derailing her career. The Real Sinéad O'Connor (White Owl, 2024) features six exclusive interviews with friends and peers who knew her, this is the true story of her extraordinary and courageous journey. Ariane Sherine’s website . Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America . He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Gemini Books, Fall 2025). Bradley on Bluesky . Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Richard Heppner, "Woodstock: From World War to Culture Wars" (SUNY Press, 2024) 26:41
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Few towns in America are as famous as Woodstock, New York—although Woodstock may be most famous for an event that happened many miles away! Long before the 1969 Woodstock festival put the town on the map, it had been a center for artists and free thinkers who found refuge in its rural setting. Longtime citizens were often shocked by the arrival of these newcomers who brought new values and attitudes to their once-isolated village. From the transformative arrival of artists in the early twentieth century to the influx of musicians and young people in the 1960s, Woodstockers worked and struggled to balance everyday life in a small, rural community with the attention and notoriety the outside world brought to it. Presented chronologically, Woodstock: From World War to Culture Wars (SUNY Press, 2024) examines the nature of change within Woodstock's uncommon story as it emerges from the Great Depression, confronts the realty of World War II, moves through the 1950s and into an unimagined and unintended future with the arrival of the Sixties through today. At its core, this is a story of how Woodstock's cultural and political institutions, its citizens, and its physical landscape met the ever-changing challenges of changing times. It is a story of community, resilience, conflict, and transition into a world its early settlers could not have imagined. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Elizabeth T. Craft, "Yankee Doodle Dandy: George M. Cohan and the Broadway Stage" (Oxford UP, 2024) 50:15
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George M. Cohan was one of those rare Broadway figures who was a composer, lyricist, playwright, performer, director, theater owner, and star actor. He could, quite literally, do it all. In his day, he was famous as the "Yankee Doodle Boy" from his hit song and as the "Man Who Owned Broadway" from his musical of the same name. Cohan's songs and shows captured the spirit of an era when staggering social change gave new urgency to efforts to define Americanism. Elizabeth Craft’s Yankee Doodle Dandy: George M. Cohan and the Broadway Stage (Oxford University Press, 2024) is not a conventional biography. Each chapter explores a different aspect of his life and career including Cohan’s approach to American nationalism, Irish American identity, celebrity, and the entertainment business along with defining what made Cohan’s shows unique. Craft finds songs and shows that serve as exemplars for each theme she highlights. The book ends with an examination of the 1942 biopic on Cohan and his enduring legacy. Yankee Doodle Dandy offers not only a fuller understanding of Cohan’s shows and career, but also new perspectives on fundamental debates about American identity and the performing arts in the early twentieth-century United States. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Simona Valeriani, "The Royal Albert Hall: Building the Arts and Sciences" (Brepols, 2024) 1:00:19
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The Royal Albert Hall: Building the Arts and Sciences (Brepols, 2024) by Dr. Simona Valeriani takes one of London’s most iconic buildings and deconstructs it to offer new insights into the society that produced it. As part of the new cultural quarter built in South Kensington on the proceeds from The Great Exhibition of 1851, the Royal Albert Hall was originally intended to be a ‘Central Hall of Arts and Sciences’. Prince Albert’s overarching vision was to promote technological and industrial progress to a wider audience, and in so doing increase its cultural and economic reach. Lighting, ventilation, fireproofing, ‘ascending rooms’, cements, acoustics, the organ, the record-breaking iron dome, and the organisation of internal spaces were all attempts to attain progress - and subject to intense public scrutiny. From iron structures to terracotta, from the education of women to the abolition of slavery, in the making of the Royal Albert Hall scientific knowledge and socio-cultural reform were intertwined. This book shows, for the first time, how the Royal Albert Hall’s building was itself a crucible for innovation. Illustrious techniques from antiquity were reimagined for the new mechanical age, placing the building at the heart of a process of collecting, describing, and systematising arts and practices. At the same time, the Royal Albert Hall was conceived as a ‘manifesto’ of what the Victorians thought Britain ought to be, at a crucial moment of its socio-economic history: a symbolic cultural hub for the Empire’s metropole. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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