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The War and Treaty’s Michael and Tanya Trotter grew up in Cleveland, Ohio, and Washington, DC, respectively, but both have family roots in the South. They also grew up in the musical traditions of their churches – Tanya in the Black Baptist Church and Michael in the Seventh Day Adventist Church – where they learned the power of song to move people. After becoming a father at a very young age, Michael eventually joined the armed forces and served in Iraq and Germany, where he took up songwriting as a way of dealing with his experiences there. Meanwhile Tanya embarked on a singing and acting career after a breakthrough appearance in Sister Act 2 alongside Whoopi Goldberg and Lauryn Hill. Now, after a long and sometimes traumatic journey, Michael and Tanya are married, touring, winning all sorts of awards, and set to release their fifth album together, and their fourth as The War and Treaty. Sid talks to Michael and Tanya about the new record, Plus One , as well as their collaboration with Miranda Lambert, what it was like to record at FAME studios in Muscle Shoals, and how they’re blending country, soul, gospel, and R&B. Learn more about your ad choices. Visit podcastchoices.com/adchoices…
Conteúdo fornecido por TheDirectorsTakePodcast. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por TheDirectorsTakePodcast ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.
Welcome to The Directors’ Take, a podcast where we explore how you go from directing something with your mates, to being the most senior decision-maker on a film set. Hosted by rising stars Oz Arshad and Marcus Anthony Thomas, The Directors’ Take Podcast will arm you with all of the knowledge you need to be a success in the Film & TV industry. Whether it’s the two of them talking through their own filmmaking journeys and experiences or conducting deep-dives on Directing craft with industry guests, they will offer you a look behind-the-curtain and demystify what it takes to Direct Film & TV at the highest level. For Directors... The pathway doesn’t exist, so we are going to do our best to help bridge the gap. Music by Oliver Wegmüller.
Conteúdo fornecido por TheDirectorsTakePodcast. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por TheDirectorsTakePodcast ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.
Welcome to The Directors’ Take, a podcast where we explore how you go from directing something with your mates, to being the most senior decision-maker on a film set. Hosted by rising stars Oz Arshad and Marcus Anthony Thomas, The Directors’ Take Podcast will arm you with all of the knowledge you need to be a success in the Film & TV industry. Whether it’s the two of them talking through their own filmmaking journeys and experiences or conducting deep-dives on Directing craft with industry guests, they will offer you a look behind-the-curtain and demystify what it takes to Direct Film & TV at the highest level. For Directors... The pathway doesn’t exist, so we are going to do our best to help bridge the gap. Music by Oliver Wegmüller.
This is episode 34 and the FINAL EPISODE in our second season of The Directors Take Podcast . In this week’s episode your hosts Marcus Anthony Thomas and Oz Arshad do a round up of their 2024 highlights, lowlights and their favourite episodes from the second season of the podcast, before throwing out some optimistic feels for the year ahead. It’s been a tough year, but we are here to bring you some positivity for 2025 with a little help from our friends and guests of past episodes. Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We’ve also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below… http://scriptation.com/thedirectorstake Nugget of the week Marcus: The Telepathy Tapes by Ky Dickens Oz: The Actors Guide to Success by Michaela Longden Our Favourite Episodes of Season 2 Marcus: Episode 1 - How I Directed Baby Reindeer with Weronika Tofilska Episode 17 - Demystifying VFX with Beetlejuice Beetlejuice’s Angus Bickerton Episode 8 - Showrunning BBC’s Domino Day with Lauren Sequeira Episode 19 - Demystifying the road to BAFTAs & Oscars with Flair PR’s Catherine Lyn Scott Episode 31 - How we created EMILIA PÉREZ with Jacques Audiard & Thomas Bidegain Oz: Episode 1 - How I Directed Baby Reindeer with Weronika Tofilska Episode 15 & 16 - The Journey to Directing PRESUMED INNOCENT with Greg Yaitanes Episode 9 - How I Directed HOUSE OF THE DRAGON with Clare Kilner Episode 13 & 14 - The Journey to Directing SUPACELL with Sebastian Thiel Episode 6 - Is Perfectionism Killing Your Creativity? With Dr. Thomas Curran Credits Music by Oliver Wegmüller Socials The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com…
This is episode 33 in the second season of The Directors Take Podcast . In this week’s episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by Director Jim O’Hanlon, whose directorial work has been nominated for BAFTAs, Golden Globes and Emmy’s. Jim began his career working in continuing Drama on Coronation Street and has since gone on to direct Inside Number 9 , 100 Streets with Idris Elba, Netflix’s The Punisher, Catastrophe with Sharon Horgan & Rob Delaney and also on Apple TV’s hit show Trying. Jim is a fountain of knowledge and in this episode we get right down into his process of what being a working director is to him. This chat includes: -What is directing? -How did you begin your career and enter the industry? -What is tone? -How do you pick projects? -How does he work between mediums and genres? -What is his directing playbook after getting hired? -What is your approach to blocking? -How do you communicate and work with actors of varying levels of experience? Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We’ve also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below… http://scriptation.com/thedirectorstake Nugget of the week Jim: The Holdovers Directed by Alexander Payne - Directors UK Podcast Marcus: Raging Bull Directed by Martin Scorsese Oz: Oz was inspired by a recent conversation we had with students at Oxford University. Credits Music by Oliver Wegmüller Socials Jim O’Hanlon: Twitter (X) & Instagram The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com…
This is episode 32 in the second season of The Directors Take Podcast . In this week’s episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by the Director of the National Film & Television School , Dr. Jon Wardle. In this episode we demystify exactly what the NFTS is to give you all of the information necessary to understand how it can fit into your pathway into the industry. This episode covers: -What is the NFTS? -What is the NFTS’ mission statement? -Is the NFTS the only way for someone to get into the industry nowadays? -What are the challenges faced by those attending and graduates? -The responsibility they have in an ever shifting industry. -We discuss listener questions and recent controversies. Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We’ve also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below… http://scriptation.com/thedirectorstake Nugget of the week Jon: The World of Tim Burton at The Design Museum Marcus: Steve McQueen interviewed by Danny Leigh | BFI London Film Festival Screen Talk 2024 Oz: GNX by Kendrick Lamar Credits Music by Oliver Wegmüller Socials Jon Wardle: Twitter (X) The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com…
This is episode 31 in the second season of The Directors Take Podcast . In this week’s special episode your hosts Marcus Anthony Thomas and Oz Arshad are joined in conversation by legendary French Director Jacques Audiard ( A Prophet, Rust and Bone ) and his long-time Writer and Artistic collaborator Thomas Bidegain to discuss their latest project in partnership with Netflix, the musical crime comedy film EMILIA PÉREZ. This live conversation which was conducted as part of a NFTS masterclass covers the following: -What is Directing? -How did they have to adjust their process to create a musical? -How did the casting process shape the journey of creating the story? -What is your relationship with tone and genre during the writing process? -What was the learning curve like in creating the musical sequences? -How did you go about creating the world in a very intentional way to marry the use of a soundstage and real world locations? -Audience questions. Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. The NFTS run a range of Masterclasses such as this one you can listen to today, with filmmakers from all across departments and the filmmaking spectrum. We’ve also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below… http://scriptation.com/thedirectorstake Credits Music by Oliver Wegmüller Socials The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com…
This is episode 30 in the second season of The Directors Take Podcast . In this week’s episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by High-End TV Director Marc Jobst for the second part of our conversation. Marc began his career working in continuing drama on Casualty and Eastenders before working his way up to creating exceptional work on Hannibal, Daredevil , The Witcher and most recently as the lead director on the hit Netflix show One Piece . This conversation covers the following: -What’s the first thing you do after being hired on a job? -The importance of casting. -Remaining flexible with your plans to adapt to different actors methods. -The use of camera plans. -How schedule minded do you need to be as a director? -How do you honour beloved IP when working in HETV. -What is Marc’s approach to action? Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We’ve also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below… http://scriptation.com/thedirectorstake Credits Music by Oliver Wegmüller Nugget of the Week Marcus: Script Apart - Andrew Haigh All of us Strangers Oz: Marc Jobst’s Blog Marc: This Cultural Life - Interview with Alejandro Iñárritu Socials Marc Jobst: Twitter (X) & Instargam The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com…
This is episode 29 in the second season of The Directors Take Podcast . In this week’s episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by High-End TV Director Marc Jobst . Marc began his career working in continuing drama on Casualty and Eastenders before working his way up to creating exceptional work on Hannibal, Daredevil , The Witcher and most recently as the lead director on the hit Netflix show One Piece . This conversation covers the following: -How did you become a director? -What does collaboration mean to you? -What were the big obstacles you faced in working in High-End TV? Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We’ve also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below… http://scriptation.com/thedirectorstake Credits Music by Oliver Wegmüller Socials Marc Jobst: Twitter (X) & Instargam The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com…
This is episode 28 in the second season of The Directors Take Podcast . In this week’s episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by Award winning actor, writer and director Charlotte Hamblin. This conversation was recorded at the Norwich Film Festival 2024. In this chat we cover:- The importance of preparation in development Developing an idea Preparation Meets Improvisation: Rehearsals and Blocking Navigating vulnerability. The creative grind of development. Problem-Solving on Set: From Challenges to Creativity Moments of Magic: When Everything Clicks The Development Process: Polishing the Diamond Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We’ve also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below… http://scriptation.com/thedirectorstake Nugget of the Week Charlotte - Song by Tom Rassmussen - There’s a lot to be happy about https://open.spotify.com/track/3dG4ESSkfeytc0DH7cJOsg?si=e71d9e408e604136 Oz is a lyric from the song Eye of the Tiger : https://youtu.be/btPJPFnesV4?si=MokAVPDr1Q1b8Tk3 Credits Music by Oliver Wegmüller Socials Charlotte Hamblin: Profile & Instagram The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Instagram If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com…
This is episode 27 in the second season of The Directors Take Podcast . In this week’s episode your hosts Marcus Anthony Thomas and Oz Arshad take you behind the scenes of their short films, Space Plug and Opening Up . Recorded in June 2023, the episode gives you their fresh thoughts on the wins and challenges of production one week after they wrapped on set. This conversation covers: - We break down the lessons learned, the challenges faced, and what it takes to bridge the gap between short films and long-form projects. Expect insights on: - Applying what we learned on House of the Dragon to the challenges we faced - Tackling the sci-fi spectacle of Space Plug while balancing visual storytelling and technical hurdles. - How Oz pivoted Opening Up from the north to London. - Last-minute location changes & Police on set. - Managing technical complexity and tight schedules on a limited budget. - Thoughts and conclusions before going into production Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We’ve also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below… http://scriptation.com/thedirectorstake Credits Music by Oliver Wegmüller Socials The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com…
This is episode 26 in the second season of The Directors Take Podcast . In this week’s episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by BAFTA winning producer Chris Hees, who works across both animation and live-action. This conversation was recorded at the Spirit of Independence Film Festival in Sheffield alongside a bunch of other industry talks, as we aim to demystify producers. In this chat we cover:- -What is producing? -What opportunities did a BAFTA win and an Oscar nomination bring? -How have you sustained yourself whilst pursuing a producing career? -How does he choose the stories that he works on? -What short-sighted decisions do directors make when working with producers? -What are the key challenges in going from shorts to longform? Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We’ve also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below… http://scriptation.com/thedirectorstake Credits Music by Oliver Wegmüller Socials Chris Hees: Website & Instagram The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com…
This is episode 25 in the second season of The Directors Take Podcast . In this week’s episode your hosts Marcus Anthony Thomas and Oz Arshad discuss the process of giving and receiving notes as a Writer & Director. We were joined in this conversation by Venetia Hawkes , who is the author of the book We Have Some Notes… The Insider’s Guide to Notes, Script Editing and Development . This book is an excellent resource and features chapter interviews from some of the finest Writers & Directors in the UK such as Edgar Wright, Lynne Ramsay, Russell T Davies, Sally Wainwright and many, many more. So as ever we get right into it to help demystify the notes process for you all! This conversation covers: -What inspired her to write this book? -What did she discover about the notes process that went against her expectations? -What are the do’s and don’ts when giving and receiving notes? -How should you deliver notes? -What makes a bad note? -How specific should notes be? -How do you navigate communicating and dealing with notes around tone? -When are notes not useful? -The notes process for women and people from a global majority. -How did her research inform her own writing process when putting the book together? Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We’ve also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below… http://scriptation.com/thedirectorstake Nugget of the Week Venetia: Climate spring - Organisation - Climate Spring harnesses the storytelling power of the screen to shift how society perceives and responds to the climate crisis. Oz: We Have Some Notes… by Venetia Hawkes Marcus: Ancient Apocalypse: The Americas Credits Music by Oliver Wegmüller Socials Venetia Hawkes: Twitter (X) & Instagram The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com…
This is episode 24 in the second season of The Directors Take Podcast . In this week’s episode your hosts Marcus Anthony Thomas and Oz Arshad get candid about directing actors and building trust on set. From early mistakes to big lessons, they share stories about casting, blocking, and working with actors to elevate on-screen moments. Drawing on experiences from their respective works, they break down the craft of guiding performance. This episode covers: First experiences directing actors The role of blocking and “business” on set The impact of blocking and micro-blocking How to collaborate through trust and clarity Lessons learned from working with experienced actor What they learnt from watching other directors Effective casting and rehearsals Adapting to surprises on the day Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We’ve also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below… http://scriptation.com/thedirectorstake Nugget of the Week Oz: https://www.youtube.com/watch?v=8QU9qZgodWw&ab_channel=FilmCourage Judith Weston Marcus: Life Credits Music by Oliver Wegmüller Socials The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Instagram (Oz is off Twitter) If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com…
This is episode 23 in the second season of The Directors Take Podcast . In this week’s episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by Jess Hong a New Zealand actor who since graduating from Drama School landed the lead role in Showrunners David Benioff and D. B. Weiss Game of Thrones follow up, the Multi-Emmy award nominated show 3 BODY PROBLEM , which was also created by Alexander Woo. In this episode we break down her early journey, successes and learnings in order to help demystify what the actor and director relationship can look like. This conversation covers: -What is acting? -How did you get into acting in the first place? -How did you land the job on 3 Body Problem ? -How did you begin to prepare for the job of a life time? -How do you embody a character that is distant from yourself? -How did the individual directors approach Director’s Rehearsals? -How do you like receiving notes from Directors? -How do you create trust between yourself and collaborators on set? -How do you navigate working on such a large production? -What does the future look like for you? Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We’ve also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below… http://scriptation.com/thedirectorstake Nugget of the Week Jess: Make more good memories with family and friends. That’s what people will remember. Marcus: The Hitchcock and Truffaut interviews Oz: The Making of The Girl with the Dragon Tattoo Credits Music by Oliver Wegmüller Socials Jess Hong: Instagram The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com…
This is episode 22 in the second season of The Directors Take Podcast . In this week’s episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by Adam Pearson who is an actor and star of the new A24 feature film, A Different Man alongside Sebastian Stan ( Captain America: The Winter Soldier ), Renate Reinsve ( The Worst Person in the World ) and is written & directed by Aaron Schimberg. Adam got his first acting break in Jonathan Glazer’s Under the Skin starring Scarlett Johansson and he has used his platform to become an award-winning disability rights campaigner, public figure and presenter. This chat covers: -What is acting? -How he ended up working on Under the Skin. -What was his first experience like on a film set? -How did he end up being cast in A Different Man? -What did he learn from his A-List Co-Stars? -How he felt seen by this film’s narrative. -How confidence plays a part in acting. -Learning to manage a disability and access in the industry. Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We’ve also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below… http://scriptation.com/thedirectorstake Nugget of the Week Adam: Four Favourites with Sebastian Stan, Adam Pearson, and Aaron Schimberg ( A Different Man ) Oz: Nobody wants to buy this Abadoned $10.5million Mansion - Luxury Cars inside!!! Marcus: In Proximity | Jordan Peele and Ryan Coogler on Genre, Fear and Filmmaking Credits Music by Oliver Wegmüller Socials Adam Pearson: Twitter (X) & Instagram The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com…
This is episode 21 in our second season of The Directors Take Podcast . In this week’s episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by Paul Davies , the legendary Sound Designer who is best known for being one of Director Lynne Ramsay’s closest collaborators, with their relationship spanning all the way back to her first feature film, Ratcatcher . He is exceptional in his own right however and his unique style has landed him work with directors such as Stephen Frears, Yann Demange, Rose Glass, Steve McQueen and Guillermo Del Toro amongst countless others. Sound is as important if not more so than the image itself, so we are super excited to bring you a conversation with one of the absolute best in the business. This conversation covers: -What is Sound Design? -What was his journey into the industry like? -The importance of mentors? -How did he come to meet Lynne Ramsay and build that relationship? -Why do people keep coming back to him? -How to sync up the process between sound and the edit? -How does he approach character and perspective with sound? -What are the mistakes that directors make when working with sound designers? Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We’ve also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below… http://scriptation.com/thedirectorstake Paul’s Bio With a background in music recording and composition, Paul Davies graduated from the sound department at the National Film and Television School (UK) in 1993. After graduation Paul worked as a freelance sound record recordist, sound editor and re-recording mixer on a variety of feature, broadcast, and corporate projects. In 1995 Paul joined the sound post production company VideoSonics as a sound editor, rising to become head of the sound editorial department. Whilst with VideoSonics Paul continued to hone his craft on a large range of feature film and television dramas. In 2000 Paul left VideoSonics to become a freelance supervising sound editor and Sound Designer and continues to work in these roles to this day. Notable directors he has with with include Stephen Frears, John Hillcoat, Lynne Ramsay, Guillermo Del Toro, Steve McQueen, Hideo Nakata, Rose Glass, Bart Layton, Anton Corijn, Saul Dibb, Julian Jarrold, Nick Broomfield and Julien Temple amongst many others, on films such as The Queen, Kinky Boots, You Were Never Really HEre, American Animals, Hunger, Mrs HEnderson Presents, The American, The Proposition, We need to Talk about Kevin, Saint Maud and Mogul Mowgli. In addition to his work in sound production, Paul is a regular visiting tutor at the National Film and Television School in the UK The Baltic Film School in Estonia and the IFS in Cologne. Paul has also held Sound Design workshops at the School of sound, BAFTA, CPH Dox Festival-Denmark and The Sound of Story in Brighton UK. Paul is a voting member of BAFTA and AMPAS and a past chair of AMPS the UK’s film and television sound craft guild. Paul has received nominations from BAFTA and The Royal Television Society for his sound design work in 2018, and won a BIFA for his Sound Design in You Were Never Really Here. Nugget of the week Paul: Beth Gibbons - Portishead lead singer & the strength of performance. Oz: Godzilla Minus One Marcus: How Liquid Death’s Founder Started a $700million Water Brand | Found Effect Credits Music by Oliver Wegmüller Socials Paul Davies: Twitter (X) & Instagram The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com…
This is episode 20 in our second season of The Directors Take Podcast . In this week’s episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by Nichola Wong , a Writer and Director who has successfully navigated her way from making short films to directing over 20 episodes of the continuing drama Hollyoaks. The transition from shorts to TV is one of the most challenging leaps to make as a filmmaker and continuing drama’s often come with a very systemic approach to delivering a constant stream of episodes for their audiences, so we brought on Nichola to break that process down for you all. This chat covers: -What is directing? -How and why did she want to be a filmmaker? -How did she break into the industry? -Gaining and losing an agent. -How did she get her first break in TV? -What were the challenges she came up against in directing continuing drama? -How have mentors helped her career so far? -How has that helped her career going forward? Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We’ve also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below… http://scriptation.com/thedirectorstake Nichola’s Bio Nichola is an award-winning Writer-Director, Sundance Fellow, BFI NETWORK x BAFTA Crew listed Director, and a graduate of the prestigious NFTS Directors Workshop, supported by Walt Disney. Her 1st TV pilot won All3 Media’s New Drama Script award at Edinburgh TV Festival and was one of eight out of 3000+ projects to be selected for the Sundance Episodic Lab. Her short films have screened at film festivals all around the world, as well as on Hulu, US broadcast TV (FX, Freeform) and Film 4/All4. She is currently developing various TV ideas and her 1st feature film with Ardimages . She has been mentored by Hong Khaou, Nick Rowland, Claire Tailyour and Tessa Hoffe. She also directs the 2nd unit on high-end TV shows, as well as directing over 20+ episodes of the continuing drama Hollyoaks. Nugget of the week Nichola: Notes on a Nervous Planet by Matt Hague Oz: Song Exploder Marcus: 6 days to air: The Making of South Park Nichola’s Films https://www.youtube.com/watch?v=ssb7wRrdMOc Credits Music by Oliver Wegmüller Socials Nichola Wong: Twitter (X) & Website The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com…
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