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Dionne Edwards – Attempting Utopia
Manage episode 343380103 series 2241434
One of my favourite quotes is from the late Toni Morrison: “Sometimes you don’t survive whole, you just survive in part. But the grandeur of life is that attempt. It’s not about that solution. It is about being as fearless as one can, behaving as beautifully as one can, under completely impossible circumstances. It’s that that makes it elegant.” For those of us inclined to share ourselves through the creative process, we can also be navigating imposter syndrome, structural barriers and limiting beliefs about ourselves. The reminder that our attempt is the grandest part of it all feels like a reminder worth shouting repeatedly.
Dionne Edwards is a wonderful example of Morrisonian attempt in action. She’s a screenwriter and director, whose debut feature film Pretty Red Dress debuts this month at BFI London Film Festival. We explore why it’s important for us to embrace the grandiose, the beauty and weirdness of distortion in the creative process, and telling the stories of flawed people with care. We discuss the impossibility and undesirability of perfection and why she thinks utopia is a wonderful ambition — as long as we never get there.
This conversation was made possible with funding from the AZ Creative Fund.
Busy Being Black listeners get 50% off at Pluto Press, and 30% off at Duke University Press and Combined Academic Publishers.
About Busy Being Black
Busy Being Black is an exploration and expression of quare liveliness and my guests are those who have learned to live, love and thrive at the intersection of their identities. Your support of the show means the world. Please leave a rating and a review and share these conversations far and wide. As we continue to work towards futures worthy of us all, my hope is that as many of you as possible understand Busy Being Black as a soft, tender and intellectually rigorous place for you to land.
Thank you to our funding partner, myGwork – the business community for LGBT+ professionals, students, inclusive employers and anyone who believes in workplace equality. Thank you to my friend Lazarus Lynch for creating the ancestral and enlivening Busy Being Black theme music. Thank you to Lucian Koncz and Stevie Gatez for helping bring new Busy Being Black artwork into the world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
135 episódios
Manage episode 343380103 series 2241434
One of my favourite quotes is from the late Toni Morrison: “Sometimes you don’t survive whole, you just survive in part. But the grandeur of life is that attempt. It’s not about that solution. It is about being as fearless as one can, behaving as beautifully as one can, under completely impossible circumstances. It’s that that makes it elegant.” For those of us inclined to share ourselves through the creative process, we can also be navigating imposter syndrome, structural barriers and limiting beliefs about ourselves. The reminder that our attempt is the grandest part of it all feels like a reminder worth shouting repeatedly.
Dionne Edwards is a wonderful example of Morrisonian attempt in action. She’s a screenwriter and director, whose debut feature film Pretty Red Dress debuts this month at BFI London Film Festival. We explore why it’s important for us to embrace the grandiose, the beauty and weirdness of distortion in the creative process, and telling the stories of flawed people with care. We discuss the impossibility and undesirability of perfection and why she thinks utopia is a wonderful ambition — as long as we never get there.
This conversation was made possible with funding from the AZ Creative Fund.
Busy Being Black listeners get 50% off at Pluto Press, and 30% off at Duke University Press and Combined Academic Publishers.
About Busy Being Black
Busy Being Black is an exploration and expression of quare liveliness and my guests are those who have learned to live, love and thrive at the intersection of their identities. Your support of the show means the world. Please leave a rating and a review and share these conversations far and wide. As we continue to work towards futures worthy of us all, my hope is that as many of you as possible understand Busy Being Black as a soft, tender and intellectually rigorous place for you to land.
Thank you to our funding partner, myGwork – the business community for LGBT+ professionals, students, inclusive employers and anyone who believes in workplace equality. Thank you to my friend Lazarus Lynch for creating the ancestral and enlivening Busy Being Black theme music. Thank you to Lucian Koncz and Stevie Gatez for helping bring new Busy Being Black artwork into the world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
135 episódios
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