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We welcome back crime novelist & President of the Detection Club ;Martin Edwards

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Conteúdo fornecido por Chatting with Sherri. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Chatting with Sherri ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.
Chatting With Sherri welcomes back crime novelist, editor and President of the Detection Club; Martin Edwards! Martin Edwards has drawn on more than 30 years’ experience as a crime novelist. He is also an internationally acclaimed editor of crime anthologies for the British Library and other publishers. In addition to enjoying many years of success as a crime writer, he is the only person to have been elected to serve as Chair of the Crime Writers’ Association and President of the Detection Club at the same time. This experience gives him a special understanding of the challenges facing crime writers. Having combined his writing life with more than 30 years as a partner in a law firm, he is ideally equipped to encourage aspiring novelists to write while coping with a day job or other commitments. The Life of Crime: Unravelling the Mysteries of Fiction’s Favourite Genre-In the first major history of crime fiction in fifty years, The Life of Crime: Detecting the History of Mysteries and their Creators traces the evolution of the genre from the eighteenth century to the present, offering brand-new perspective on the world’s most popular form of fiction. Coming soon from Martin Edwards; The House on Graveyard Lane-The woman in white—surreal artist Damaris Gethin—has invited a select group to the opening of her exhibit "Artist in Crime," held in the eerie subterranean Hades Gallery. As costumed models reenact famously violent deaths, the artist herself portrays Marie Antoinette on the day of her execution, complete with a guillotine on the stage. It's not a prop; within ten minutes of Rachel's promise to solve Damaris's future murder, the artist slips her neck into the collar of the device and the very real blade sends her head rolling at the feet of her horrified audience.
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300 episódios

Artwork
iconCompartilhar
 
Manage episode 414668839 series 1198646
Conteúdo fornecido por Chatting with Sherri. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Chatting with Sherri ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.
Chatting With Sherri welcomes back crime novelist, editor and President of the Detection Club; Martin Edwards! Martin Edwards has drawn on more than 30 years’ experience as a crime novelist. He is also an internationally acclaimed editor of crime anthologies for the British Library and other publishers. In addition to enjoying many years of success as a crime writer, he is the only person to have been elected to serve as Chair of the Crime Writers’ Association and President of the Detection Club at the same time. This experience gives him a special understanding of the challenges facing crime writers. Having combined his writing life with more than 30 years as a partner in a law firm, he is ideally equipped to encourage aspiring novelists to write while coping with a day job or other commitments. The Life of Crime: Unravelling the Mysteries of Fiction’s Favourite Genre-In the first major history of crime fiction in fifty years, The Life of Crime: Detecting the History of Mysteries and their Creators traces the evolution of the genre from the eighteenth century to the present, offering brand-new perspective on the world’s most popular form of fiction. Coming soon from Martin Edwards; The House on Graveyard Lane-The woman in white—surreal artist Damaris Gethin—has invited a select group to the opening of her exhibit "Artist in Crime," held in the eerie subterranean Hades Gallery. As costumed models reenact famously violent deaths, the artist herself portrays Marie Antoinette on the day of her execution, complete with a guillotine on the stage. It's not a prop; within ten minutes of Rachel's promise to solve Damaris's future murder, the artist slips her neck into the collar of the device and the very real blade sends her head rolling at the feet of her horrified audience.
  continue reading

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