It was the deadliest string of shark attacks the world has ever seen. In 2011, sharks in Réunion, a beautiful island, way out in the Indian Ocean started biting people way more than ever before and with lunatic violence. The epidemic forced local surfers, politicians, and business owners into a proxy war with ocean lovers and conservationists worldwide, where long simmering tensions boiled over. Réunion: Shark Attacks in Paradise is the story of what happened on this beautiful island, and t ...
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Generation 1.5
MP3•Home de episódios
Manage episode 294302867 series 2688457
Conteúdo fornecido por Canadian Museum of Immigration at Pier 21. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Canadian Museum of Immigration at Pier 21 ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.
Generation 1.5 features the stories of three women who had to figure out a whole new life and a whole new identity - before they even knew who they really were. Trey Anthony burst onto the Canadian theatre scene in 2001, with her play Da Kink in My Hair. Da Kink in My Hair became the first play written by a Canadian to be performed at the Princess of Wales Theater in Toronto. It also became the first television series in Canada to be written and created by a Black woman. “I was 12 turning 13. And I think that age is difficult for anybody, much less being a child who's coming to assimilate into a new country, meeting a woman who is supposed to be her mother, who she has had no contact with - very limited contact with - for the last four years and going through puberty and changes. So it was a lot. Now that I look back on it, I realise how much was expected of me. And yet nobody really acknowledged how much change was going on in my life.” Gabriella Hong was born in Seoul, South Korea, and came to Canada when she was five. Now she lives in Ottawa, where she works in computer technology. Gabriella believes arriving at such a young age had a huge impact on her experience of immigration. She uses a software analogy to describe what she means. “It's different if you're born here. We call them the 2.0 generation. And I'm like kind of stuck in between, so, I'm the 1.5. And the students who come at a later age, the 1.0 generation.” Mimi Sheriff was born in Zimbabwe. She earned a law degree in Johannesburg, South Africa, and then moved to Canada in 2009 to pursue a masters degree in Gender Studies at Memorial University in St. John’s, Newfoundland. The move to Newfoundland had a profound impact on her. It really made her think differently about her core identity - about who she was. “One of the things that I think I became a lot more convicted and stronger is saying that I was African like that is something now that before I don't think that was part of my identity. I even had a little little thing on my bracelet made out of the continent of Africa. So I think I've become more African than I ever was before I came here.”
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31 episódios
MP3•Home de episódios
Manage episode 294302867 series 2688457
Conteúdo fornecido por Canadian Museum of Immigration at Pier 21. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Canadian Museum of Immigration at Pier 21 ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.
Generation 1.5 features the stories of three women who had to figure out a whole new life and a whole new identity - before they even knew who they really were. Trey Anthony burst onto the Canadian theatre scene in 2001, with her play Da Kink in My Hair. Da Kink in My Hair became the first play written by a Canadian to be performed at the Princess of Wales Theater in Toronto. It also became the first television series in Canada to be written and created by a Black woman. “I was 12 turning 13. And I think that age is difficult for anybody, much less being a child who's coming to assimilate into a new country, meeting a woman who is supposed to be her mother, who she has had no contact with - very limited contact with - for the last four years and going through puberty and changes. So it was a lot. Now that I look back on it, I realise how much was expected of me. And yet nobody really acknowledged how much change was going on in my life.” Gabriella Hong was born in Seoul, South Korea, and came to Canada when she was five. Now she lives in Ottawa, where she works in computer technology. Gabriella believes arriving at such a young age had a huge impact on her experience of immigration. She uses a software analogy to describe what she means. “It's different if you're born here. We call them the 2.0 generation. And I'm like kind of stuck in between, so, I'm the 1.5. And the students who come at a later age, the 1.0 generation.” Mimi Sheriff was born in Zimbabwe. She earned a law degree in Johannesburg, South Africa, and then moved to Canada in 2009 to pursue a masters degree in Gender Studies at Memorial University in St. John’s, Newfoundland. The move to Newfoundland had a profound impact on her. It really made her think differently about her core identity - about who she was. “One of the things that I think I became a lot more convicted and stronger is saying that I was African like that is something now that before I don't think that was part of my identity. I even had a little little thing on my bracelet made out of the continent of Africa. So I think I've become more African than I ever was before I came here.”
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