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Kangmin Justin Kim Transports Us Through Time and Culture with M. Butterfly

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Manage episode 335876439 series 2944105
Conteúdo fornecido por Emily Doyle Moore and The Santa Fe Opera. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Emily Doyle Moore and The Santa Fe Opera ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.

Bad romances don’t come much better than the complicated relationship at the heart of M. Butterfly. Host Jane Trembley talks fantasy versus reality with countertenor Kangmin Justin Kim before his Santa Fe Opera and U.S. mainstage debut as Song Liling in this operatic world premiere.

The pair also discuss the psychology behind Justin's character, transitioning from musical theater to opera, and building representation in the classical music community.

“There are a lot of dichotomies in this piece,” Justin says of the lopsided love affair between French diplomat René Gallimard and Song Liling, the Beijing opera star who exploits Gallimard’s self-delusion to secure their own safety. “[There’s] lots of East and West, man and woman, truth and lies. It's very yin yang.”

The highly anticipated world premiere, delayed two years by pandemic-related scheduling conflicts, is an inventive operatic reworking by David Henry Hwang of his iconic 1988 Tony Award-winning musical. Composer Huang Ruo’s score complements Hwang’s libretto perfectly, providing intelligent references to Puccini’s Madame Butterfly and an increasingly distorted soundscape against which Gallimard and Liling's relationship reaches its inevitable conclusion.

Revisiting decades-old source material is not without its challenges. “I want people to understand that this is a period piece,” says Justin. “M. Butterfly lives in the past, and we need to watch this opera through the lens of the 1960s and the late 1980s when the play was first presented to the world.”

He challenges audiences to consider how far we’ve come in addressing issues connected to sexual orientation, gender identity, and Imperialism––and how far we’ve yet to go.

FEATURING

Kangmin Justin Kim – Countertenor

Website

Instagram

Twitter

Facebook

YouTube

MENTIONED IN THIS EPISODE

DSFO0206 - Larger Than Life: Verdi’s Falstaff with Quinn Kelsey

La Bien Aimée

CREDITS

Destination Santa Fe Opera is a Santa Fe Opera podcast, produced and edited by Andrea Klunder at The Creative Impostor Studios.

Post-Production Audio: Edwin R. Ruiz

Hosted by: Jane Trembley

Show Notes by: Lisa Widder

***

Learn more about the Santa Fe Opera and plan your visit at https://www.santafeopera.org.

We'd love for you to join us on Instagram, Twitter, Facebook, and TikTok @santafeopera.

  continue reading

32 episódios

Artwork
iconCompartilhar
 
Manage episode 335876439 series 2944105
Conteúdo fornecido por Emily Doyle Moore and The Santa Fe Opera. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Emily Doyle Moore and The Santa Fe Opera ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.

Bad romances don’t come much better than the complicated relationship at the heart of M. Butterfly. Host Jane Trembley talks fantasy versus reality with countertenor Kangmin Justin Kim before his Santa Fe Opera and U.S. mainstage debut as Song Liling in this operatic world premiere.

The pair also discuss the psychology behind Justin's character, transitioning from musical theater to opera, and building representation in the classical music community.

“There are a lot of dichotomies in this piece,” Justin says of the lopsided love affair between French diplomat René Gallimard and Song Liling, the Beijing opera star who exploits Gallimard’s self-delusion to secure their own safety. “[There’s] lots of East and West, man and woman, truth and lies. It's very yin yang.”

The highly anticipated world premiere, delayed two years by pandemic-related scheduling conflicts, is an inventive operatic reworking by David Henry Hwang of his iconic 1988 Tony Award-winning musical. Composer Huang Ruo’s score complements Hwang’s libretto perfectly, providing intelligent references to Puccini’s Madame Butterfly and an increasingly distorted soundscape against which Gallimard and Liling's relationship reaches its inevitable conclusion.

Revisiting decades-old source material is not without its challenges. “I want people to understand that this is a period piece,” says Justin. “M. Butterfly lives in the past, and we need to watch this opera through the lens of the 1960s and the late 1980s when the play was first presented to the world.”

He challenges audiences to consider how far we’ve come in addressing issues connected to sexual orientation, gender identity, and Imperialism––and how far we’ve yet to go.

FEATURING

Kangmin Justin Kim – Countertenor

Website

Instagram

Twitter

Facebook

YouTube

MENTIONED IN THIS EPISODE

DSFO0206 - Larger Than Life: Verdi’s Falstaff with Quinn Kelsey

La Bien Aimée

CREDITS

Destination Santa Fe Opera is a Santa Fe Opera podcast, produced and edited by Andrea Klunder at The Creative Impostor Studios.

Post-Production Audio: Edwin R. Ruiz

Hosted by: Jane Trembley

Show Notes by: Lisa Widder

***

Learn more about the Santa Fe Opera and plan your visit at https://www.santafeopera.org.

We'd love for you to join us on Instagram, Twitter, Facebook, and TikTok @santafeopera.

  continue reading

32 episódios

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