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Conteúdo fornecido por Emily Doyle Moore and The Santa Fe Opera. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Emily Doyle Moore and The Santa Fe Opera ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.
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Larger Than Life: Verdi’s Falstaff with Quinn Kelsey

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Manage episode 333239487 series 2944105
Conteúdo fornecido por Emily Doyle Moore and The Santa Fe Opera. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Emily Doyle Moore and The Santa Fe Opera ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.

Who’ll serve the infamous jolly knight his just desserts? The list of candidates is long, and their scheme is hilarious. All will be revealed when Falstaff, Giuseppe Verdi’s classic farce, arrives on the Santa Fe Opera stage.

Host Jane Trembley speaks with Hawai’i native Quinn Kelsey about embodying the larger-than-life titular character and learns why comedy is more challenging to play than tragedy. Quinn also answers the million-dollar question: what would the celebrated Verdi baritone ask the great composer if given a chance?

If you think you know Verdi, think again. “[Falstaff] behaves like a totally different animal,” says Quinn. The final opera of Verdi’s storied career is a comedic masterpiece propelled by complex wit, outsized swagger, and vibrant music.

“John Falstaff is at that age where life is beginning to pass him by,” Quinn explains. “He still thinks he can charm the ladies, and you have to give him credit for having a huge amount of confidence.”

It doesn’t take long for that swagger to get the jolly knight into riotous trouble. “I don't normally get to play comedic characters,” Quinn says. Although pompous Falstaff is more serious than his fellow characters, all the fizzy stage antics are in response to his self-delusion.

In a role he’s played in different ways since 2014, Quinn is more than up to the vocal and emotional challenge, fully embracing Falstaff’s hubris, hedonism, and gullibility for Sir David McVicar’s sparkling new production. “The fact that I finally get to do something with Sir David from scratch? I'm looking forward to a really fun summer.”

FEATURING

Quinn Kelsey - Baritone

Website

Instagram

Facebook

CREDITS

Destination Santa Fe Opera is a Santa Fe Opera podcast, produced and edited by Andrea Klunder at The Creative Impostor Studios.

Post-Production Audio: Edwin R. Ruiz

Hosted by: Jane Trembley

Show Notes by: Lisa Widder

***

Learn more about the Santa Fe Opera and plan your visit at https://www.santafeopera.org.

We'd love for you to join us on Instagram, Twitter, Facebook, and TikTok @santafeopera.

  continue reading

32 episódios

Artwork
iconCompartilhar
 
Manage episode 333239487 series 2944105
Conteúdo fornecido por Emily Doyle Moore and The Santa Fe Opera. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Emily Doyle Moore and The Santa Fe Opera ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.

Who’ll serve the infamous jolly knight his just desserts? The list of candidates is long, and their scheme is hilarious. All will be revealed when Falstaff, Giuseppe Verdi’s classic farce, arrives on the Santa Fe Opera stage.

Host Jane Trembley speaks with Hawai’i native Quinn Kelsey about embodying the larger-than-life titular character and learns why comedy is more challenging to play than tragedy. Quinn also answers the million-dollar question: what would the celebrated Verdi baritone ask the great composer if given a chance?

If you think you know Verdi, think again. “[Falstaff] behaves like a totally different animal,” says Quinn. The final opera of Verdi’s storied career is a comedic masterpiece propelled by complex wit, outsized swagger, and vibrant music.

“John Falstaff is at that age where life is beginning to pass him by,” Quinn explains. “He still thinks he can charm the ladies, and you have to give him credit for having a huge amount of confidence.”

It doesn’t take long for that swagger to get the jolly knight into riotous trouble. “I don't normally get to play comedic characters,” Quinn says. Although pompous Falstaff is more serious than his fellow characters, all the fizzy stage antics are in response to his self-delusion.

In a role he’s played in different ways since 2014, Quinn is more than up to the vocal and emotional challenge, fully embracing Falstaff’s hubris, hedonism, and gullibility for Sir David McVicar’s sparkling new production. “The fact that I finally get to do something with Sir David from scratch? I'm looking forward to a really fun summer.”

FEATURING

Quinn Kelsey - Baritone

Website

Instagram

Facebook

CREDITS

Destination Santa Fe Opera is a Santa Fe Opera podcast, produced and edited by Andrea Klunder at The Creative Impostor Studios.

Post-Production Audio: Edwin R. Ruiz

Hosted by: Jane Trembley

Show Notes by: Lisa Widder

***

Learn more about the Santa Fe Opera and plan your visit at https://www.santafeopera.org.

We'd love for you to join us on Instagram, Twitter, Facebook, and TikTok @santafeopera.

  continue reading

32 episódios

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