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Hotel Bohemia And The Splendid Bohemians Present George Jones- Live at The Bottom Line, New York City- June 6, 1981- The Greatest Country Singer Of All Time In His Triumphant Return To NYC!

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Manage episode 450116621 series 1847932
Conteúdo fornecido por Rich Buckland and Bill Mesnik, Rich Buckland, and Bill Mesnik. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Rich Buckland and Bill Mesnik, Rich Buckland, and Bill Mesnik ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.

George Jones’s New York

BY JAMES BARRON
George Jones Live At The Bottom Line- New York City- 1981
1 Ragged But Right
2 The Race Is On
3 Rollin' In My Sweet Baby's Arms
4 Bartender's Blues
5 Grand Tour
6 Tell Me My Lying Eyes Are Wrong
7 You Better Treat Your Man Right
8 White Lightning
9 Once You've Had the Best
AND MORE!

Hardly anybody would have looked for an “I ♥ NY” bumper sticker on George Jones’s tour bus. “The story of him and New York was he just didn’t want to come here,” said Jack Grace, a singer and songwriter who books performers for the Rodeo Bar in Manhattan.

Mr. Jones, a country singer with a plaintive voice and a complicated life who died on Friday at 81, told people he did not like Manhattan. But maybe he needed a geography lesson. He did not seem to understand that Manhattan was in New York or that, to many New Yorkers, Manhattan just was New York.

Steve I. Weitzman, a club promoter, remembered booking Mr. Jones for a show at Tramps on West 21st Street in 1992.

“He had a fabulous time,” Mr. Weitzman said, adding that at one point, Mr. Jones told the crowd, “I’m in New York” — with, as Mr. Weitzman described it, an almost giddy sense of excitement that one would not expect from a big-name star.

A year and a half later, Mr. Weitzman booked him again. Same place, same stage, same hopes.

“The agent called me a week or two later and said, ‘George is going to cancel. George didn’t like Manhattan,’” Mr. Weitzman said. “George didn’t know that Manhattan was in New York. The agent told me George would appear if I could find another venue that’s not Manhattan, but what place was there that was not booked? I tried upstate New York, but I couldn’t find anything that was not booked.”

By then Mr. Jones was known as No-Show Jones for the performances he skipped, often because of drinking and drugs. Allan Pepper, an owner of the Bottom Line in Greenwich Village, remembered no-show dates in the late 1970s. One was a two-night stand in September 1977 that coincided with a press party for Mr. Jones given by Epic Records.

“The only trouble was, Mr. Jones didn’t show up — at either the party or the performances,” The New York Times reported. “When last heard from, Mr. Jones’s Nashville office had no idea where he was.”

A story circulated about what had happened. “Somebody said he went out the bathroom window,” Mr. Pepper said.

Fans figured he had the jitters. “A lot of those people got freaky about New York,” said Mort Cooperman, an owner of the Lone Star Cafe on Fifth Avenue, referring to famous performers. He said he had tried to sign Mr. Jones for the same dates but lost out to the Bottom Line. “Some of them loved it and turned into glowworms, like Johnny Paycheck. He was turned on by New York.”

But Mr. Jones stayed away. Mr. Pepper said the routine — agreeing on a date, signing a contract and canceling the gig — became all too familiar. “I would be upset,” he said, “but here’s the interesting thing: We would announce there was a cancellation and the fans would come up to the box office window and ask us, ‘What was it this time? He got sick? He got into an accident?’ They were prepared for this. They knew he was No-Show Jones. So I rebooked him, and again he canceled on me.”

Mr. Pepper booked him again, in 1980, and as if to prove the cliché about the third time being a charm, Mr. Jones not only appeared, but Linda Ronstadt and Bonnie Raitt — who had been in the audience — joined him onstage for several songs. Mr. Pepper said that

  continue reading

380 episódios

Artwork
iconCompartilhar
 
Manage episode 450116621 series 1847932
Conteúdo fornecido por Rich Buckland and Bill Mesnik, Rich Buckland, and Bill Mesnik. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Rich Buckland and Bill Mesnik, Rich Buckland, and Bill Mesnik ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.

George Jones’s New York

BY JAMES BARRON
George Jones Live At The Bottom Line- New York City- 1981
1 Ragged But Right
2 The Race Is On
3 Rollin' In My Sweet Baby's Arms
4 Bartender's Blues
5 Grand Tour
6 Tell Me My Lying Eyes Are Wrong
7 You Better Treat Your Man Right
8 White Lightning
9 Once You've Had the Best
AND MORE!

Hardly anybody would have looked for an “I ♥ NY” bumper sticker on George Jones’s tour bus. “The story of him and New York was he just didn’t want to come here,” said Jack Grace, a singer and songwriter who books performers for the Rodeo Bar in Manhattan.

Mr. Jones, a country singer with a plaintive voice and a complicated life who died on Friday at 81, told people he did not like Manhattan. But maybe he needed a geography lesson. He did not seem to understand that Manhattan was in New York or that, to many New Yorkers, Manhattan just was New York.

Steve I. Weitzman, a club promoter, remembered booking Mr. Jones for a show at Tramps on West 21st Street in 1992.

“He had a fabulous time,” Mr. Weitzman said, adding that at one point, Mr. Jones told the crowd, “I’m in New York” — with, as Mr. Weitzman described it, an almost giddy sense of excitement that one would not expect from a big-name star.

A year and a half later, Mr. Weitzman booked him again. Same place, same stage, same hopes.

“The agent called me a week or two later and said, ‘George is going to cancel. George didn’t like Manhattan,’” Mr. Weitzman said. “George didn’t know that Manhattan was in New York. The agent told me George would appear if I could find another venue that’s not Manhattan, but what place was there that was not booked? I tried upstate New York, but I couldn’t find anything that was not booked.”

By then Mr. Jones was known as No-Show Jones for the performances he skipped, often because of drinking and drugs. Allan Pepper, an owner of the Bottom Line in Greenwich Village, remembered no-show dates in the late 1970s. One was a two-night stand in September 1977 that coincided with a press party for Mr. Jones given by Epic Records.

“The only trouble was, Mr. Jones didn’t show up — at either the party or the performances,” The New York Times reported. “When last heard from, Mr. Jones’s Nashville office had no idea where he was.”

A story circulated about what had happened. “Somebody said he went out the bathroom window,” Mr. Pepper said.

Fans figured he had the jitters. “A lot of those people got freaky about New York,” said Mort Cooperman, an owner of the Lone Star Cafe on Fifth Avenue, referring to famous performers. He said he had tried to sign Mr. Jones for the same dates but lost out to the Bottom Line. “Some of them loved it and turned into glowworms, like Johnny Paycheck. He was turned on by New York.”

But Mr. Jones stayed away. Mr. Pepper said the routine — agreeing on a date, signing a contract and canceling the gig — became all too familiar. “I would be upset,” he said, “but here’s the interesting thing: We would announce there was a cancellation and the fans would come up to the box office window and ask us, ‘What was it this time? He got sick? He got into an accident?’ They were prepared for this. They knew he was No-Show Jones. So I rebooked him, and again he canceled on me.”

Mr. Pepper booked him again, in 1980, and as if to prove the cliché about the third time being a charm, Mr. Jones not only appeared, but Linda Ronstadt and Bonnie Raitt — who had been in the audience — joined him onstage for several songs. Mr. Pepper said that

  continue reading

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