Artwork

Conteúdo fornecido por KCBX and KCBX Central Coast Public Radio. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por KCBX and KCBX Central Coast Public Radio ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.
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Ears on Art

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Série arquivada ("Feed inativo " status)

When? This feed was archived on July 12, 2018 04:00 (6y ago). Last successful fetch was on August 24, 2019 01:17 (4+ y ago)

Why? Feed inativo status. Nossos servidores foram incapazes de recuperar um feed de podcast válido por um período razoável.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage series 1017674
Conteúdo fornecido por KCBX and KCBX Central Coast Public Radio. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por KCBX and KCBX Central Coast Public Radio ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.
“Ears On Art” was previously broadcast as a part of Issues & Ideas , and is now an archived program with episodes available below . It began in earnest on April 1, 1999 with a half hour a month broadcast. In the beginning there were four hosts: Bill Beeson, Karen Kile, Gail Johnson, and me, Crissa Hewitt. Our aim was to create a magazine format with at least three segments. Bill opened the program with a commentary based on the show’s theme. Gail closed the show with a five-minute arts calendar. One or two interviews rounded out the thirty minutes. I spent the majority of my time learning how to tape, edit, and put in the finishing touches so that the recorded program could be aired. By 2002 the format had changed. Bill continued to do the commentaries, but Gail and Karen discovered that the time commitment was more than they could easily give. The search was on for a co-host. Naida Simpson of Simpson-Heller Gallery in Cambria came aboard. When she, too, found the time requirements
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20 episódios

Artwork

Ears on Art

updated

iconCompartilhar
 

Série arquivada ("Feed inativo " status)

When? This feed was archived on July 12, 2018 04:00 (6y ago). Last successful fetch was on August 24, 2019 01:17 (4+ y ago)

Why? Feed inativo status. Nossos servidores foram incapazes de recuperar um feed de podcast válido por um período razoável.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage series 1017674
Conteúdo fornecido por KCBX and KCBX Central Coast Public Radio. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por KCBX and KCBX Central Coast Public Radio ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.
“Ears On Art” was previously broadcast as a part of Issues & Ideas , and is now an archived program with episodes available below . It began in earnest on April 1, 1999 with a half hour a month broadcast. In the beginning there were four hosts: Bill Beeson, Karen Kile, Gail Johnson, and me, Crissa Hewitt. Our aim was to create a magazine format with at least three segments. Bill opened the program with a commentary based on the show’s theme. Gail closed the show with a five-minute arts calendar. One or two interviews rounded out the thirty minutes. I spent the majority of my time learning how to tape, edit, and put in the finishing touches so that the recorded program could be aired. By 2002 the format had changed. Bill continued to do the commentaries, but Gail and Karen discovered that the time commitment was more than they could easily give. The search was on for a co-host. Naida Simpson of Simpson-Heller Gallery in Cambria came aboard. When she, too, found the time requirements
  continue reading

20 episódios

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