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The Power of Love

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Manage episode 345979964 series 3006759
Conteúdo fornecido por Fantastika Journal. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Fantastika Journal ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.

This podcast is part of the Bodily Transgressions in Fantastika Media Symposium.
Join the discussion on discord (https://discord.gg/zsMTBcnTcC) or on our Round Table Discussions on 12 November 2022 (https://us04web.zoom.us/j/78547989824).

Background music by scottholmesmusic.com
Podcast by
: Ibtisam Ahmed
The Power of Love:
Queer Superhero Desire as Transgression in Marvel’s
Hulkling & Wiccan

Key words (including content notes): LGBTQ+, utopia, queerphobia, references to body image, references to gendered expectations and stereotypes
In 2022, Marvel released a one-shot special comic focusing on the romantic lives of their most prominent queer couple. The eponymous pair of Hulkling & Wiccan have become staples of the comic book publisher’s catalogue, including being the central characters of their major Empyre story arc. From their inception, both Hulkling and Wiccan have been open about their identities, with their love for each other often leading to the resolution of conflicts. The 2022 one-shot takes a slightly different approach by considering the possibility that their love in and of itself becomes the site of conflict.
The now-happily married couple are transported into separate alternate realities where they have forgotten each other and are shown to be romantically involved with two new characters who represent their deepest romantic desires. For Hulkling, this means having “a steadfast companion” who, like him, has alien heritage and follows him across galaxies. For Wiccan, this means “a tragic, distracting love” who needs to be rescued amidst a mundane urban setting. In both cases, these desires are completely conventional in cisheteronormative hero stories (and commonly accepted in-universe) – companions in arms, romantic connection through struggle, love at first sight – but they are framed as unattainable due to the characters’ queer identity.
In addition to the narrative points raised through the text, the art of the comic – and the characters within – further highlight expressions of self that are inherently transgressive. Masculine characters dressing up in intentionally camp costuming, characters of colour showing visible body hair, collective dinners subverting gendered norms about “hosting”; all of these images work to undo cisheteronormativity. By discussing the characters’ desires and experiences, and exploring the resolution of the story, I consider how something as “ordinary” as love can be radical when expressed through bodies which are considered transgressive.

About the Author: Ibtisam Ahmed (he/him) completed an MPhil at the University of Nottingham and is currently the Head of Policy and Research at LGBT Foundation. As a queer, disabled migrant of colour, his focus is on uplifting and empowering voices that are traditionally silenced. He has written about queer superheroes before, including a chapter about Hulkling and Wiccan as queer immigrant utopian embodiments in the book The Politics of Culture (2020, Cambridge Scholars Publishing), which he co-edited. His other work has been published on Project Myopia, Imagining the Impossible, and Ancillary Review of Books.
Disclaimer
: The information and ideas in these podcasts are the property of the speakers. Fantastika Journal operates under the Creative Commons Licence CCBY-NC. This allows for the reproduction or transcription of podcasts for non-commercial uses, only with the appropriate citation information. All rights belong to the author.
The views expressed in these podcasts do not necessarily reflect the opinions of Fantastika Journal and its editorial board.
Transcripts have been provided by the aut

  continue reading

30 episódios

Artwork
iconCompartilhar
 
Manage episode 345979964 series 3006759
Conteúdo fornecido por Fantastika Journal. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Fantastika Journal ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.

This podcast is part of the Bodily Transgressions in Fantastika Media Symposium.
Join the discussion on discord (https://discord.gg/zsMTBcnTcC) or on our Round Table Discussions on 12 November 2022 (https://us04web.zoom.us/j/78547989824).

Background music by scottholmesmusic.com
Podcast by
: Ibtisam Ahmed
The Power of Love:
Queer Superhero Desire as Transgression in Marvel’s
Hulkling & Wiccan

Key words (including content notes): LGBTQ+, utopia, queerphobia, references to body image, references to gendered expectations and stereotypes
In 2022, Marvel released a one-shot special comic focusing on the romantic lives of their most prominent queer couple. The eponymous pair of Hulkling & Wiccan have become staples of the comic book publisher’s catalogue, including being the central characters of their major Empyre story arc. From their inception, both Hulkling and Wiccan have been open about their identities, with their love for each other often leading to the resolution of conflicts. The 2022 one-shot takes a slightly different approach by considering the possibility that their love in and of itself becomes the site of conflict.
The now-happily married couple are transported into separate alternate realities where they have forgotten each other and are shown to be romantically involved with two new characters who represent their deepest romantic desires. For Hulkling, this means having “a steadfast companion” who, like him, has alien heritage and follows him across galaxies. For Wiccan, this means “a tragic, distracting love” who needs to be rescued amidst a mundane urban setting. In both cases, these desires are completely conventional in cisheteronormative hero stories (and commonly accepted in-universe) – companions in arms, romantic connection through struggle, love at first sight – but they are framed as unattainable due to the characters’ queer identity.
In addition to the narrative points raised through the text, the art of the comic – and the characters within – further highlight expressions of self that are inherently transgressive. Masculine characters dressing up in intentionally camp costuming, characters of colour showing visible body hair, collective dinners subverting gendered norms about “hosting”; all of these images work to undo cisheteronormativity. By discussing the characters’ desires and experiences, and exploring the resolution of the story, I consider how something as “ordinary” as love can be radical when expressed through bodies which are considered transgressive.

About the Author: Ibtisam Ahmed (he/him) completed an MPhil at the University of Nottingham and is currently the Head of Policy and Research at LGBT Foundation. As a queer, disabled migrant of colour, his focus is on uplifting and empowering voices that are traditionally silenced. He has written about queer superheroes before, including a chapter about Hulkling and Wiccan as queer immigrant utopian embodiments in the book The Politics of Culture (2020, Cambridge Scholars Publishing), which he co-edited. His other work has been published on Project Myopia, Imagining the Impossible, and Ancillary Review of Books.
Disclaimer
: The information and ideas in these podcasts are the property of the speakers. Fantastika Journal operates under the Creative Commons Licence CCBY-NC. This allows for the reproduction or transcription of podcasts for non-commercial uses, only with the appropriate citation information. All rights belong to the author.
The views expressed in these podcasts do not necessarily reflect the opinions of Fantastika Journal and its editorial board.
Transcripts have been provided by the aut

  continue reading

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