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Conteúdo fornecido por Eileen Jones and Dolores McElroy, Eileen Jones, and Dolores McElroy. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Eileen Jones and Dolores McElroy, Eileen Jones, and Dolores McElroy ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.
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West Side Stories and the Musical

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Manage episode 314560348 series 2858749
Conteúdo fornecido por Eileen Jones and Dolores McElroy, Eileen Jones, and Dolores McElroy. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Eileen Jones and Dolores McElroy, Eileen Jones, and Dolores McElroy ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.

In this week’s Filmsuck episode, our co-hosts throw down over which version of the great musical West Side Story reigns supreme. Eileen backs the 1961 version directed by Robert Wise and Jerome Robbins, while Dolores pulls for Steven Spielberg’s new version. That being said, co-hosts join forces to shake their fists at such Spielberg choices as overly CGIed and desaturated cinematography and some of the more egregious “social issue” scenes, like the lengthy one devoted to the purchase of a gun in order to point up the dangers of gun violence in a work that’s already taking on gang mayhem, racism, class hatred, abusive and corrupt policing…

Though Spielberg avoids the worst sin of the musical form, plugging in a random non-musically-gifted star and expecting them to pretend that they’re pulling off the singing and dancing you (don’t) see onscreen. Spielberg went for relatively unknown leads to at least secure good singers and dancers.
We hope you enjoy the latest installment of our “Favorite Film Genres” series with this wild series of rants on the musical!

  continue reading

51 episódios

Artwork

West Side Stories and the Musical

Filmsuck

18 subscribers

published

iconCompartilhar
 
Manage episode 314560348 series 2858749
Conteúdo fornecido por Eileen Jones and Dolores McElroy, Eileen Jones, and Dolores McElroy. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Eileen Jones and Dolores McElroy, Eileen Jones, and Dolores McElroy ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.

In this week’s Filmsuck episode, our co-hosts throw down over which version of the great musical West Side Story reigns supreme. Eileen backs the 1961 version directed by Robert Wise and Jerome Robbins, while Dolores pulls for Steven Spielberg’s new version. That being said, co-hosts join forces to shake their fists at such Spielberg choices as overly CGIed and desaturated cinematography and some of the more egregious “social issue” scenes, like the lengthy one devoted to the purchase of a gun in order to point up the dangers of gun violence in a work that’s already taking on gang mayhem, racism, class hatred, abusive and corrupt policing…

Though Spielberg avoids the worst sin of the musical form, plugging in a random non-musically-gifted star and expecting them to pretend that they’re pulling off the singing and dancing you (don’t) see onscreen. Spielberg went for relatively unknown leads to at least secure good singers and dancers.
We hope you enjoy the latest installment of our “Favorite Film Genres” series with this wild series of rants on the musical!

  continue reading

51 episódios

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