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Jennifer Kabat on the Importance of Solidarity in Unsettled Times
Manage episode 439038606 series 3362831
Conteúdo fornecido por Stu Levitan, Andrew Thomas, David Ahrens, Cole Erickson, Lisa Malawski, Stu Levitan, Andrew Thomas, David Ahrens, Cole Erickson, and Lisa Malawski. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Stu Levitan, Andrew Thomas, David Ahrens, Cole Erickson, Lisa Malawski, Stu Levitan, Andrew Thomas, David Ahrens, Cole Erickson, and Lisa Malawski ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.
On this edition of Madison BookBeat, host Sara Batkie speaks with author Jennifer Kabat about her memoir The Eighth Moon from Milkweed Editions, ahead of Kabat’s appearance at A Room of One’s Own on Tuesday, September 10th.
A rebellion, guns, and murder. When Jennifer Kabat moves to the Catskills, she has no idea it was the site of the Anti-Rent War, an early episode of American rural populism. As she forges friendships with her new neighbors and explores the countryside on logging roads and rutted lanes—finding meadows dotted with milkweed in bloom, saffron salamanders, a blood moon rising over Munsee, Oneida, and Mohawk land—she slowly learns of the 1840s uprising, when poor tenant farmers fought to redistribute their landlords’ vast estates. In the farmers’ socialist dreams, she discovers connections to her parents’ collectivist values, as well as to our current moment. Threaded with historical documents, the natural world, and the work of writers like Adrienne Rich and Elizabeth Hardwick, Kabat weaves a capacious memoir, where the past comes alive in the present.
Jennifer Kabat’s diptych The Eighth Moon and Nightshining are being published by Milkweed Editions in 2024 and 2025. She’s been awarded a Warhol Foundation Arts Writers Grant for her criticism, and the books were supported by grants from the Silvers Foundation and NYFA. Her essays and criticism have appeared in 4 Columns, Frieze, Granta, The White Review, BOMB, Harper’s, The Believer, and McSweeney’s as well as Best American Essays. She lives in rural New York, serves in her local fire department and teaches in the Design Research MA program at SVA.
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