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Episode 280 – Female Trouble (1974)

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Conteúdo fornecido por Max, Mike; Movies and Mike; Movies. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Max, Mike; Movies and Mike; Movies ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.

Heeewack, campers! We’ve got another choice selection from the list of Filmaster Oswalt! He’s brought us obscure, powerful noir films, languid, elegant Japanese films, so what tasteful, understated lyrical selection has he made for us . . . oh. Oh. OHHH!!!! OH GOD MY EYES MY EYES WHAT’S HAPPENING WHAT THE HELL IS THIS OHGODOHGODOHGODOHGOD . . . Umm . . . I mean . . . well, this John Water’s . . . classic is certainly a change of pace for us. Yes. That’s what it is. Seriously, this film is . . . really something. I think the process of creating this film went something like this:

Hollywood: Well, it’s 1968 and we’ve finally done away with the Hayes Code! What kind of shock could possibly come of this decision?

John Waters in 1974: Hold my beer.

Yes, John Waters, the man who puts the “cult” in “culture” created this entry, which was astonishingly shocking and transgressive for it’s time. But now it’s fifty years later, so it probably seems very tame, even dull . . . right? Right? Mike, why won’t you look at me . . .?

Poll question: What is the cheapest made movie you’ve ever come to love?

  continue reading

300 episódios

Artwork
iconCompartilhar
 
Manage episode 404589558 series 2403133
Conteúdo fornecido por Max, Mike; Movies and Mike; Movies. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Max, Mike; Movies and Mike; Movies ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.

Heeewack, campers! We’ve got another choice selection from the list of Filmaster Oswalt! He’s brought us obscure, powerful noir films, languid, elegant Japanese films, so what tasteful, understated lyrical selection has he made for us . . . oh. Oh. OHHH!!!! OH GOD MY EYES MY EYES WHAT’S HAPPENING WHAT THE HELL IS THIS OHGODOHGODOHGODOHGOD . . . Umm . . . I mean . . . well, this John Water’s . . . classic is certainly a change of pace for us. Yes. That’s what it is. Seriously, this film is . . . really something. I think the process of creating this film went something like this:

Hollywood: Well, it’s 1968 and we’ve finally done away with the Hayes Code! What kind of shock could possibly come of this decision?

John Waters in 1974: Hold my beer.

Yes, John Waters, the man who puts the “cult” in “culture” created this entry, which was astonishingly shocking and transgressive for it’s time. But now it’s fifty years later, so it probably seems very tame, even dull . . . right? Right? Mike, why won’t you look at me . . .?

Poll question: What is the cheapest made movie you’ve ever come to love?

  continue reading

300 episódios

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