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Post Break 19 - A Conversation about Color Finishing: Demystifying the Use of Rec 709

 
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Manage episode 390464345 series 1238451
Conteúdo fornecido por Post New York Alliance. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Post New York Alliance ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.

A Conversation about Color Finishing: Demystifying the Use of Rec 709 (Audio)


A Conversation about Color Finishing: Demystifying the Use of Rec 709

This week we have a conversation between DI colorists on the use of Rec 709.


Thursday, Sept 17th at 4pm EST via ZOOM


PANELISTS:
Lucie Barbier-Dearnley, Senior Colorist / SIM New York

Lucie, Senior Colorist at Sim New York, is passionate about color grading and brings expansive credits across features, episodic television, and documentaries. Originally from France, Barbier-Dearnley studied at the Université Sorbonne Nouvelle and L'Ecole des Nouveaux Métiers de la Communication in Paris, and at New York Institute of Technology. Her studies in fine arts and her passion for painting provided the perfect education for her move into color grading. She began her career in post-production at Company 3 New York, as a Digital Restoration Specialist. After transferring to the company's London facility, she advanced to Color Assistant, Junior Colorist, and ultimately Colorist. Her recent credits include the feature film You Should Have Left, and the documentary series Hillary and High Score.
Sean Dunckley, Senior Colorist / Light Iron New York

Light Iron Senior Colorist Sean Dunckley has collaborated with some of the industry’s top talent in the feature, commercial and episodic worlds. Since joining Light Iron in 2013, his credits have included the features The Night House, Villains, Late Night, Brittany Runs a Marathon and Life Itself. In the episodic world, Sean has collaborated on such celebrated series as Girls, Tales of the City and Dickinson. In his spare time, he enjoys hitting the links and has played a good percentage of the top 100 golf courses in America.
Moderator:
Freddy Hernandez, Director of Business Development /Light Iron New York

Freddy Hernandez joined Light Iron’s Los Angeles facility in 2016 as a DI producer and recently moved to Light Iron New York to serve as Director of Business Development. With more than 10 years of experience, his credits include Transformers, The Lone Ranger, The Circle, A Star Is Born, 24 Hours to Live, Ingrid Goes West, Last Flag Flying and Hot Summer Nights. Freddy represents Light Iron as a member of the Post New York Alliance and is a frequent public speaker on post-production topics.

  continue reading

70 episódios

Artwork
iconCompartilhar
 
Manage episode 390464345 series 1238451
Conteúdo fornecido por Post New York Alliance. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Post New York Alliance ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.

A Conversation about Color Finishing: Demystifying the Use of Rec 709 (Audio)


A Conversation about Color Finishing: Demystifying the Use of Rec 709

This week we have a conversation between DI colorists on the use of Rec 709.


Thursday, Sept 17th at 4pm EST via ZOOM


PANELISTS:
Lucie Barbier-Dearnley, Senior Colorist / SIM New York

Lucie, Senior Colorist at Sim New York, is passionate about color grading and brings expansive credits across features, episodic television, and documentaries. Originally from France, Barbier-Dearnley studied at the Université Sorbonne Nouvelle and L'Ecole des Nouveaux Métiers de la Communication in Paris, and at New York Institute of Technology. Her studies in fine arts and her passion for painting provided the perfect education for her move into color grading. She began her career in post-production at Company 3 New York, as a Digital Restoration Specialist. After transferring to the company's London facility, she advanced to Color Assistant, Junior Colorist, and ultimately Colorist. Her recent credits include the feature film You Should Have Left, and the documentary series Hillary and High Score.
Sean Dunckley, Senior Colorist / Light Iron New York

Light Iron Senior Colorist Sean Dunckley has collaborated with some of the industry’s top talent in the feature, commercial and episodic worlds. Since joining Light Iron in 2013, his credits have included the features The Night House, Villains, Late Night, Brittany Runs a Marathon and Life Itself. In the episodic world, Sean has collaborated on such celebrated series as Girls, Tales of the City and Dickinson. In his spare time, he enjoys hitting the links and has played a good percentage of the top 100 golf courses in America.
Moderator:
Freddy Hernandez, Director of Business Development /Light Iron New York

Freddy Hernandez joined Light Iron’s Los Angeles facility in 2016 as a DI producer and recently moved to Light Iron New York to serve as Director of Business Development. With more than 10 years of experience, his credits include Transformers, The Lone Ranger, The Circle, A Star Is Born, 24 Hours to Live, Ingrid Goes West, Last Flag Flying and Hot Summer Nights. Freddy represents Light Iron as a member of the Post New York Alliance and is a frequent public speaker on post-production topics.

  continue reading

70 episódios

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