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Culture Gabfest: Steve McQueen’s Blitz: Dud or Hit?

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Manage episode 453593890 series 76
Conteúdo fornecido por Slate Podcasts. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Slate Podcasts ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.

On this week’s show, Slate experts June Thomas (author of A Place of Our Own: Six Spaces That Shaped Queer Women's Culture) and Dan Kois (author of Hampton Heights: One Harrowing Night in the Most Haunted Neighborhood in Milwaukee, Wisconsin) fill in for Dana and Julia. First, the trio tackles Blitz, director Steve McQueen’s new film about the German bombings of London during World War II, which stars Saoirse Ronan, Harris Dickinson, and randomly, Paul Weller. For a McQueen movie, it’s quite traditional – predictable plot beats, an easy to understand moral viewpoint – but as a piece of culture, does it work? Is the film informative and incredibly ambitious? Or didactic and boring?

Then, the panel unravels HBO’s Get Millie Black, a British crime drama set in Kingston, Jamaica. Created by Marlon James, the five-part detective series delivers a good, old-fashioned mystery (there’s corruption! Familial complications! Rich queer narratives! And way too much voiceover!) that reveals itself slowly, like peeling back the layers of an onion. Finally, can a “vibe” be copyrighted, in a world built on copying? The hosts pour over “Bad Influence,” a reported piece by The Verge about the groundbreaking legal case between two lifestyle influencers that has the potential to radically alter the online commerce industry.

In the exclusive Slate Plus segment, the panel discusses movie credits and debates the merits of sitting through them.

We are still taking questions for our annual call-in show! To submit your question, either leave us a voicemail at (260) 337-8260 or send us a voice note via email at culturefest@slate.com.

Email us at culturefest@slate.com.

Endorsements:

Dan: The Mighty Quinn (1989), starring a very handsome Denzel Washington.

June: Our Evenings by Alan Hollinghurst.

Steve: A quote by Vladimir Nabokov.

Podcast production by Jared Downing. Production assistance by Kat Hong.

Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more.

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

2900 episódios

Artwork
iconCompartilhar
 
Manage episode 453593890 series 76
Conteúdo fornecido por Slate Podcasts. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Slate Podcasts ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.

On this week’s show, Slate experts June Thomas (author of A Place of Our Own: Six Spaces That Shaped Queer Women's Culture) and Dan Kois (author of Hampton Heights: One Harrowing Night in the Most Haunted Neighborhood in Milwaukee, Wisconsin) fill in for Dana and Julia. First, the trio tackles Blitz, director Steve McQueen’s new film about the German bombings of London during World War II, which stars Saoirse Ronan, Harris Dickinson, and randomly, Paul Weller. For a McQueen movie, it’s quite traditional – predictable plot beats, an easy to understand moral viewpoint – but as a piece of culture, does it work? Is the film informative and incredibly ambitious? Or didactic and boring?

Then, the panel unravels HBO’s Get Millie Black, a British crime drama set in Kingston, Jamaica. Created by Marlon James, the five-part detective series delivers a good, old-fashioned mystery (there’s corruption! Familial complications! Rich queer narratives! And way too much voiceover!) that reveals itself slowly, like peeling back the layers of an onion. Finally, can a “vibe” be copyrighted, in a world built on copying? The hosts pour over “Bad Influence,” a reported piece by The Verge about the groundbreaking legal case between two lifestyle influencers that has the potential to radically alter the online commerce industry.

In the exclusive Slate Plus segment, the panel discusses movie credits and debates the merits of sitting through them.

We are still taking questions for our annual call-in show! To submit your question, either leave us a voicemail at (260) 337-8260 or send us a voice note via email at culturefest@slate.com.

Email us at culturefest@slate.com.

Endorsements:

Dan: The Mighty Quinn (1989), starring a very handsome Denzel Washington.

June: Our Evenings by Alan Hollinghurst.

Steve: A quote by Vladimir Nabokov.

Podcast production by Jared Downing. Production assistance by Kat Hong.

Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more.

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

2900 episódios

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