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Sophomore Slump or Surge: Nirvana, Pearl Jam, Weezer and more

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Conteúdo fornecido por Craig Lyndall. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Craig Lyndall ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.

Summary

In this episode, Craig and Andrew discuss the phenomenon of sophomore records in the music industry. They explore different paths that bands can take with their second album, including those that had a phenomenal debut but couldn't follow it up, and those that had a dud as their sophomore record. They mention examples such as Hootie and the Blowfish, Third Eye Blind, the Toadies, and Weezer's Pinkerton. They also discuss successful sophomore records, including Nirvana's Nevermind. Overall, the conversation highlights the pressure and challenges that come with creating a second album and how it can shape a band's career. This conversation methodically reviews several bands' sophomore albums and their impact. The chapters cover Nirvana's 'Bleach' and 'In Utero', Live's 'Throwing Copper', Collective Soul's self-titled album, Radiohead's 'The Bends', The Smashing Pumpkins' 'Siamese Dream', Oasis' '(What's the Story) Morning Glory?', Hum's 'You'd Prefer an Astronaut', Alice in Chains' 'Dirt', and Pearl Jam's 'Vs.'

Takeaways

Sophomore records can be a defining moment for bands, with different paths depending on the success of their debut album. Some bands struggle to follow up a phenomenal debut album, while others face pressure to take their music to the next level. There are also bands that release a sophomore album that becomes a dud, potentially defining them as one-hit wonders. However, there are also successful sophomore records that solidify a band's career and leave a lasting impact.

Chapters

00:00 Introduction and Pi Day 00:40 Discussion about movies and DVD players 03:04 Different paths for bands with sophomore albums 04:23 Bands with phenomenal debut albums that couldn't follow it up 07:03 Examples of sophomore records that were duds 09:22 Discussion about Third Eye Blind and the Toadies 10:31 Examples of sophomore records that were failures 11:22 Discussion about the Gin Blossoms and Weezer 23:09 Discussion about successful sophomore records 23:32 Nirvana's 'Bleach' and 'In Utero' 25:32 Live's 'Throwing Copper' 27:10 Collective Soul's Self-Titled Album 28:49 Radiohead's 'The Bends' 30:02 Siamese Dream by The Smashing Pumpkins 31:15 Oasis' '(What's the Story) Morning Glory?' 32:01 Hum's 'You'd Prefer an Astronaut' 33:21 Alice in Chains' 'Dirt' 35:12 Pearl Jam's 'Vs.'

  continue reading

17 episódios

Artwork
iconCompartilhar
 
Manage episode 407541154 series 3563208
Conteúdo fornecido por Craig Lyndall. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Craig Lyndall ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.

Summary

In this episode, Craig and Andrew discuss the phenomenon of sophomore records in the music industry. They explore different paths that bands can take with their second album, including those that had a phenomenal debut but couldn't follow it up, and those that had a dud as their sophomore record. They mention examples such as Hootie and the Blowfish, Third Eye Blind, the Toadies, and Weezer's Pinkerton. They also discuss successful sophomore records, including Nirvana's Nevermind. Overall, the conversation highlights the pressure and challenges that come with creating a second album and how it can shape a band's career. This conversation methodically reviews several bands' sophomore albums and their impact. The chapters cover Nirvana's 'Bleach' and 'In Utero', Live's 'Throwing Copper', Collective Soul's self-titled album, Radiohead's 'The Bends', The Smashing Pumpkins' 'Siamese Dream', Oasis' '(What's the Story) Morning Glory?', Hum's 'You'd Prefer an Astronaut', Alice in Chains' 'Dirt', and Pearl Jam's 'Vs.'

Takeaways

Sophomore records can be a defining moment for bands, with different paths depending on the success of their debut album. Some bands struggle to follow up a phenomenal debut album, while others face pressure to take their music to the next level. There are also bands that release a sophomore album that becomes a dud, potentially defining them as one-hit wonders. However, there are also successful sophomore records that solidify a band's career and leave a lasting impact.

Chapters

00:00 Introduction and Pi Day 00:40 Discussion about movies and DVD players 03:04 Different paths for bands with sophomore albums 04:23 Bands with phenomenal debut albums that couldn't follow it up 07:03 Examples of sophomore records that were duds 09:22 Discussion about Third Eye Blind and the Toadies 10:31 Examples of sophomore records that were failures 11:22 Discussion about the Gin Blossoms and Weezer 23:09 Discussion about successful sophomore records 23:32 Nirvana's 'Bleach' and 'In Utero' 25:32 Live's 'Throwing Copper' 27:10 Collective Soul's Self-Titled Album 28:49 Radiohead's 'The Bends' 30:02 Siamese Dream by The Smashing Pumpkins 31:15 Oasis' '(What's the Story) Morning Glory?' 32:01 Hum's 'You'd Prefer an Astronaut' 33:21 Alice in Chains' 'Dirt' 35:12 Pearl Jam's 'Vs.'

  continue reading

17 episódios

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