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Ep 239: Being working class! Historian professor Carl Chinn on the class ceiling in the arts and society

1:22:21
 
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Conteúdo fornecido por Ben Tallon. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Ben Tallon ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.

You can also enjoy the shorter highlights episode now.
History has rarely been kind to the working class. Nor has the arts. Too often, those of us who make it into the creative industry and sustain careers do so despite our background and the class ceiling, not because of it.
Professor Carl Chinn grew up in working-class Birmingham, surrounded by family, hearing stories that would prove his inspiration to become a successful historian. His work covers the history of Birmingham, the original peaky blinder gangs, and the urban working class and he earned the honour of MBE while still facing prejudice and skepticism because of his roots.
We discuss the sharpened imposter syndrome felt by many working-class people, the ongoing battle for an egalitarian, democratic society that values the energy of the working class, and the role of community spaces in healing the terminal despondency tangible among working people.
Sponsored as ever by https://illustrationx.com who have a superb new quarterly illustration trends report here: https://www.illustrationx.com/uk/news/5992/trendx_-_april_2024
and the Ukrainian Institute https://ui.org.ua
https://www.linkedin.com/in/prof-carl-chinn-mbe-7577441b4?original_referer=https%3A%2F%2Fwww%2Egoogle%2Ecom%2F&originalSubdomain=uk
https://www.birminghambooks.co.uk/carl_chinn
Hosted by Ben Tallon https://bentallon.com
https://bentallonwriter.com/shop for The Creative Condition book
https://www.linkedin.com/in/ben-tallon-a822a725/
https://www.youtube.com/watch?v=s28rwnz18j4

  continue reading

318 episódios

Artwork
iconCompartilhar
 
Manage episode 435315660 series 124355
Conteúdo fornecido por Ben Tallon. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Ben Tallon ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.

You can also enjoy the shorter highlights episode now.
History has rarely been kind to the working class. Nor has the arts. Too often, those of us who make it into the creative industry and sustain careers do so despite our background and the class ceiling, not because of it.
Professor Carl Chinn grew up in working-class Birmingham, surrounded by family, hearing stories that would prove his inspiration to become a successful historian. His work covers the history of Birmingham, the original peaky blinder gangs, and the urban working class and he earned the honour of MBE while still facing prejudice and skepticism because of his roots.
We discuss the sharpened imposter syndrome felt by many working-class people, the ongoing battle for an egalitarian, democratic society that values the energy of the working class, and the role of community spaces in healing the terminal despondency tangible among working people.
Sponsored as ever by https://illustrationx.com who have a superb new quarterly illustration trends report here: https://www.illustrationx.com/uk/news/5992/trendx_-_april_2024
and the Ukrainian Institute https://ui.org.ua
https://www.linkedin.com/in/prof-carl-chinn-mbe-7577441b4?original_referer=https%3A%2F%2Fwww%2Egoogle%2Ecom%2F&originalSubdomain=uk
https://www.birminghambooks.co.uk/carl_chinn
Hosted by Ben Tallon https://bentallon.com
https://bentallonwriter.com/shop for The Creative Condition book
https://www.linkedin.com/in/ben-tallon-a822a725/
https://www.youtube.com/watch?v=s28rwnz18j4

  continue reading

318 episódios

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