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Olivia Rodrigo Talks with David Remnick

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Manage episode 378335365 series 94072
Conteúdo fornecido por WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.

Being called the voice of a generation might seem a little off to someone born after the millennium. But Olivia Rodrigo’s songs clearly hit home for Gen Z. She turned twenty this year, and has already been one of the biggest stars since 2021, when “Drivers License” became the No. 1 song on the planet. She won three Grammy Awards that year, including Best New Artist. One of her first public performances was on “Saturday Night Live.” Rodrigo’s second album, “Guts,” came out this month, and she remains proud to channel the frustrations of young people. “My favorite songs to sing are the really angry ones,” she told David Remnick. “Especially on tour, I’ll look out at the audience and sometimes see these very young girls, seven or eight, screaming these angry songs, so hyped and so enraged . . . . That’s not something you see on the street, but it’s just so cool that people get to express all those emotions through music.”

Rodrigo talked with David Remnick about the lineage of singer-songwriters like Carole King, and dealing with social media as a young celebrity.

Share your thoughts on The New Yorker Radio Hour podcast.

  continue reading

782 episódios

iconCompartilhar
 
Manage episode 378335365 series 94072
Conteúdo fornecido por WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.

Being called the voice of a generation might seem a little off to someone born after the millennium. But Olivia Rodrigo’s songs clearly hit home for Gen Z. She turned twenty this year, and has already been one of the biggest stars since 2021, when “Drivers License” became the No. 1 song on the planet. She won three Grammy Awards that year, including Best New Artist. One of her first public performances was on “Saturday Night Live.” Rodrigo’s second album, “Guts,” came out this month, and she remains proud to channel the frustrations of young people. “My favorite songs to sing are the really angry ones,” she told David Remnick. “Especially on tour, I’ll look out at the audience and sometimes see these very young girls, seven or eight, screaming these angry songs, so hyped and so enraged . . . . That’s not something you see on the street, but it’s just so cool that people get to express all those emotions through music.”

Rodrigo talked with David Remnick about the lineage of singer-songwriters like Carole King, and dealing with social media as a young celebrity.

Share your thoughts on The New Yorker Radio Hour podcast.

  continue reading

782 episódios

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