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Miguel Falcão takes us through Chris Squire’s setup for Tormato – 505

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Conteúdo fornecido por Kevin Mulryne. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Kevin Mulryne ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.
Produced by Wayne Hall and Jeffrey Crecelius A small selection from my Tormato collection I asked our friend Miguel Falcão to tell me a bit about how Chris Squire achieved such a remarkable bass sound for Tormato. Instead of sending me a few bullet points, Miguel was kind enough to record a complete audio description of the technical minutiae of the master's solution. Mark and I listen to this amazing in-depth piece and discuss a few of the points Miguel makes. Many thanks to Miguel and if you haven't heard his staggeringly accurate Yes bass covers, then you are missing out a great deal. See the links below to remedy that immediately. How did Chris Squire achieve 'that' sound for Tormato?What technology did he employ?Was the approach the same on every song on Tormato? Listen to the episode and let us know what you think! Miguel's amazing website: Miguelbass.com Chris Squire's bass setup photographed by Dave Watkinson at the Tormato sessions, RAK studios, London, 1978: A selection of Miguel's Tormato bass cover versions: https://youtu.be/rnwWLGfSLog https://youtu.be/ojygByrrijI https://youtu.be/E8Kwf2mklvQ Miguel's Annual #PlayForChris project: https://youtu.be/giM1mgCXFho Other resources https://www.youtube.com/watch?v=977Sri5EcCE https://youtu.be/RJ4fdD-tHG4 Become a Patron! Bag yourself a fabulous piece of YMP history before it's too late... Head over to the YMP Emporium to... Order a YMP Trivia Card Game 'The Answer Is Yes!' - available now!Order the unique Full Union art print - available now The Full Union! Available now. YMP Patrons: Producers: Jeffrey Crecelius andWayne Hall Patrons: Aaron SteelmanDave OwenMark James LangPaul TomeiJoost MaglevDavid HeydenMartin KjellbergPaul WilsonBob MartilottaLindMichael O'ConnorWilliam HayesBrian SullivanDavid PannellMiguel FalcãoLobate ScarpChris BandiniDavid WatkinsonNeal KaforeyRachel HadawayCraig EstenesDemPaul HailesMark 'Zarkol' BaggsDoug CurranRobert NasirFergus CubbageScott ColomboFred BarringerGary BettsGeoff BailieSimon BarrowGeoffrey MasonStephen LambeGuy R DeRomeSteve DillHenrik AntonssonSteve PerryHogne Bø PettersenSteve RodeIanNBSteve ScottJamie McQuinnSteven RoehrKen FullerTerence SadlerMichael HanderhanTim StannardJimTodd DudleyJohn CowanTony HandleyJohn HoldenJoseph CottrellJohn ParryKeith HoisingtonJohn ThomsonBarry GorskyAlan Begg Robert and David Please subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don’t risk missing anything: Subscribe on AndroidListen on Stitcher Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert - I put it together from: archive.org
  continue reading

300 episódios

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iconCompartilhar
 
Manage episode 408044868 series 3046759
Conteúdo fornecido por Kevin Mulryne. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Kevin Mulryne ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.
Produced by Wayne Hall and Jeffrey Crecelius A small selection from my Tormato collection I asked our friend Miguel Falcão to tell me a bit about how Chris Squire achieved such a remarkable bass sound for Tormato. Instead of sending me a few bullet points, Miguel was kind enough to record a complete audio description of the technical minutiae of the master's solution. Mark and I listen to this amazing in-depth piece and discuss a few of the points Miguel makes. Many thanks to Miguel and if you haven't heard his staggeringly accurate Yes bass covers, then you are missing out a great deal. See the links below to remedy that immediately. How did Chris Squire achieve 'that' sound for Tormato?What technology did he employ?Was the approach the same on every song on Tormato? Listen to the episode and let us know what you think! Miguel's amazing website: Miguelbass.com Chris Squire's bass setup photographed by Dave Watkinson at the Tormato sessions, RAK studios, London, 1978: A selection of Miguel's Tormato bass cover versions: https://youtu.be/rnwWLGfSLog https://youtu.be/ojygByrrijI https://youtu.be/E8Kwf2mklvQ Miguel's Annual #PlayForChris project: https://youtu.be/giM1mgCXFho Other resources https://www.youtube.com/watch?v=977Sri5EcCE https://youtu.be/RJ4fdD-tHG4 Become a Patron! Bag yourself a fabulous piece of YMP history before it's too late... Head over to the YMP Emporium to... Order a YMP Trivia Card Game 'The Answer Is Yes!' - available now!Order the unique Full Union art print - available now The Full Union! Available now. YMP Patrons: Producers: Jeffrey Crecelius andWayne Hall Patrons: Aaron SteelmanDave OwenMark James LangPaul TomeiJoost MaglevDavid HeydenMartin KjellbergPaul WilsonBob MartilottaLindMichael O'ConnorWilliam HayesBrian SullivanDavid PannellMiguel FalcãoLobate ScarpChris BandiniDavid WatkinsonNeal KaforeyRachel HadawayCraig EstenesDemPaul HailesMark 'Zarkol' BaggsDoug CurranRobert NasirFergus CubbageScott ColomboFred BarringerGary BettsGeoff BailieSimon BarrowGeoffrey MasonStephen LambeGuy R DeRomeSteve DillHenrik AntonssonSteve PerryHogne Bø PettersenSteve RodeIanNBSteve ScottJamie McQuinnSteven RoehrKen FullerTerence SadlerMichael HanderhanTim StannardJimTodd DudleyJohn CowanTony HandleyJohn HoldenJoseph CottrellJohn ParryKeith HoisingtonJohn ThomsonBarry GorskyAlan Begg Robert and David Please subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don’t risk missing anything: Subscribe on AndroidListen on Stitcher Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert - I put it together from: archive.org
  continue reading

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