In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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YO ADRIAN Ep. 23: Great Films vs. The #MuslimBan
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Conteúdo fornecido por Yo, Adrian and TIFF (Toronto International Film Festival). Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Yo, Adrian and TIFF (Toronto International Film Festival) ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.
In this episode, Fariha and Kiva use the “Muslim ban” put in place by U.S. President Trump as a jumping-off point to highlight some of the exceptional filmmakers working in the seven countries affected by the Executive Order. They discuss Iraqi filmmaker Hussein Hassan’s decision not to bring his documentary THE DARK WIND to the Miami Film Festival because of the ban. Asghar Farhadi, similarly, opted not to attend the Academy Awards despite the Best Foreign Language Film nomination for THE SALESMAN. They discuss the importance of being an ally to these filmmakers, and the role that programming and criticism can play. Not to mention the importance of simply seeing these films, and telling your friends to see them too. Film is powerful at a moment like this, Fariha and Kiva believe, because of the humanizing effect of experiencing stories about real people's lives from regions which are often considered by the news media solely in terms of politics or conflict. Listen in to find out about some filmmakers to watch from these seven countries: Iran: Asghar Farhadi, THE SALESMAN, A SEPARATION (and a shout out to actor Golshifteh Farahani) Iraq: Mohamed Al-Daradji, SON OF BABYLON Atia Al Daradji and Mohamed Al-Daradji, IN MY MOTHER’S ARMS Somalia: Fathia Absie, BROKEN DREAMS Sudan: Atak Ngor, ATAK’S FILM Libya: Various Directors, LIBYA IN MOTION Yemen: Sara Ishaq, KARAMA HAS NO WALLS, THE MULBERRY HOUSE Syria: Diana El Jeiroudi, DOLLS: A WOMAN FROM DAMASCUS Further reading: Kerry James Marshall is expanding the canon with his latest show at the Met: http://theartnewspaper.com/news/museums/kerry-james-marshall-makes-his-picks-from-the-met-s-collection/ At the Miami Film Festival, Hussein Hassan protested the ban by cancelling his visa application: http://www.indiewire.com/2017/01/iraq-filmmaker-protests-trump-muslim-ban-withdraws-visa-application-miami-film-festival-1201774530/ If you are in Toronto, check out Hot Docs’ Ban This Series, a free screening series of documentaries from the banned countries: http://www.hotdocscinema.ca/responsive/content/ban_this_series
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5 episódios
M4A•Home de episódios
Manage episode 172618329 series 1141915
Conteúdo fornecido por Yo, Adrian and TIFF (Toronto International Film Festival). Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Yo, Adrian and TIFF (Toronto International Film Festival) ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.
In this episode, Fariha and Kiva use the “Muslim ban” put in place by U.S. President Trump as a jumping-off point to highlight some of the exceptional filmmakers working in the seven countries affected by the Executive Order. They discuss Iraqi filmmaker Hussein Hassan’s decision not to bring his documentary THE DARK WIND to the Miami Film Festival because of the ban. Asghar Farhadi, similarly, opted not to attend the Academy Awards despite the Best Foreign Language Film nomination for THE SALESMAN. They discuss the importance of being an ally to these filmmakers, and the role that programming and criticism can play. Not to mention the importance of simply seeing these films, and telling your friends to see them too. Film is powerful at a moment like this, Fariha and Kiva believe, because of the humanizing effect of experiencing stories about real people's lives from regions which are often considered by the news media solely in terms of politics or conflict. Listen in to find out about some filmmakers to watch from these seven countries: Iran: Asghar Farhadi, THE SALESMAN, A SEPARATION (and a shout out to actor Golshifteh Farahani) Iraq: Mohamed Al-Daradji, SON OF BABYLON Atia Al Daradji and Mohamed Al-Daradji, IN MY MOTHER’S ARMS Somalia: Fathia Absie, BROKEN DREAMS Sudan: Atak Ngor, ATAK’S FILM Libya: Various Directors, LIBYA IN MOTION Yemen: Sara Ishaq, KARAMA HAS NO WALLS, THE MULBERRY HOUSE Syria: Diana El Jeiroudi, DOLLS: A WOMAN FROM DAMASCUS Further reading: Kerry James Marshall is expanding the canon with his latest show at the Met: http://theartnewspaper.com/news/museums/kerry-james-marshall-makes-his-picks-from-the-met-s-collection/ At the Miami Film Festival, Hussein Hassan protested the ban by cancelling his visa application: http://www.indiewire.com/2017/01/iraq-filmmaker-protests-trump-muslim-ban-withdraws-visa-application-miami-film-festival-1201774530/ If you are in Toronto, check out Hot Docs’ Ban This Series, a free screening series of documentaries from the banned countries: http://www.hotdocscinema.ca/responsive/content/ban_this_series
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5 episódios
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