High Theory podcast

26:18

How do you know when it’s time to make your next big career move? With International Women’s Day around the corner, we are excited to feature Avni Patel Thompson, Founder and CEO of Milo. Avni is building technology that directly supports the often overlooked emotional and logistical labor that falls on parents—especially women. Milo is an AI assistant designed to help families manage that invisible load more efficiently. In this episode, Avni shares her journey from studying chemistry to holding leadership roles at global brands like Adidas and Starbucks, to launching her own ventures. She discusses how she approaches career transitions, the importance of unpleasant experiences, and why she’s focused on making everyday life easier for parents. [01:26] Avni's University Days and Early Career [04:36] Non-Linear Career Paths [05:16] Pursuing Steep Learning Curves [11:51] Entrepreneurship and Safety Nets [15:22] Lived Experiences and Milo [19:55] Avni’s In Her Ellement Moment [20:03] Reflections Links: Avni Patel Thompson on LinkedIn Suchi Srinivasan on LinkedIn Kamila Rakhimova on LinkedIn Ipsos report on the future of parenting About In Her Ellement: In Her Ellement highlights the women and allies leading the charge in digital, business, and technology innovation. Through engaging conversations, the podcast explores their journeys—celebrating successes and acknowledging the balance between work and family. Most importantly, it asks: when was the moment you realized you hadn’t just arrived—you were truly in your element? About The Hosts: Suchi Srinivasan is an expert in AI and digital transformation. Originally from India, her career includes roles at trailblazing organizations like Bell Labs and Microsoft. In 2011, she co-founded the Cleanweb Hackathon, a global initiative driving IT-powered climate solutions with over 10,000 members across 25+ countries. She also advises Women in Cloud, aiming to create $1B in economic opportunities for women entrepreneurs by 2030. Kamila Rakhimova is a fintech leader whose journey took her from Tajikistan to the U.S., where she built a career on her own terms. Leveraging her English proficiency and international relations expertise, she discovered the power of microfinance and moved to the U.S., eventually leading Amazon's Alexa Fund to support underrepresented founders. Subscribe to In Her Ellement on your podcast app of choice to hear meaningful conversations with women in digital, business, and technology.…

High Theory

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High Theory is a produced and edited by Kim Adams and Saronik Bosu, two tired academics trying to save critique from itself, along with two amazing collaborators, Júlia Irion Martins and Nathan Kim. In this podcast, we get high on the substance of theory, and we try to explain difficult ideas from the academy with irreverence. You can learn more about us on our website, or find us on Facebook, Instagram, and Twitter.

159 episódios

High Theory

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updated há 9 dias

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159 episódios

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1
Action Without Hope 21:05

há 9 dias21:05

21:05

In his new book, Nathan K. Hensley describes a mood or a vibe or an intuitive response to the contemporary moment when one feels powerless in the face of collapsing societal systems. Given the entrenched nature of the present crisis, with compulsory happiness being marketed by the culture industry, how does one work within systems from which no true escape is possible? In order to uncover a prehistory of this feeling, he goes back to the nineteenth century - to artists like J.M.W. Turner and writers like Emily Bronte and Christina Rossetti who were thinking about what it means to inhabit a world omnivorously captured by capital. Nathan K. Hensley is the author of Forms of Empire: The Poetics of Victorian Sovereignty (Oxford, 2016), and co-editor, with Philip Steer, of Ecological Form: System and Aesthetics in the Age of Empir e (Fordham, 2018). With Devin Garofalo, he is currently coediting a collection of essays that's forthcoming from Northwestern UP, The Barbara Johnson Collective. His new book is Action without Hope: Victorian Literature after Climate Collapse , forthcoming from Chicago UP in April 2025. He was born in Fresno, California and lives in Silver Spring, Maryland. Image: J.M.W. Turner, The Burning of the Houses of Lords and Commons , 1834-35. Public Domain. Original at the Philadelphia Museum of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices…

1
Alcohol 20:00

há 23 dias20:00

20:00

In this episode of High Theory, Nina Studer tells us about alcohol. The restrictions and prohibitions, medical and moral discourses surrounding alcohol reveal a great deal about a given society in a particular historical moment. Nina uses alcohol as a lens to analyze the history of French colonization in North Africa. Who consumed alcohol, in what places, how much, and what kinds, what was viewed as healthy and what was viewed as dangerous, even criminal, can help us approach larger questions of gender, class, and nation. If you want to learn more, check out her new book, Hour of Absinthe: A Cultural History of France's Most Notorious Drink (McGill-Queens University Press, 2024). The book explores how the mythologizing of one distilled alcohol led to the creation and fabrication of a vast modern folklore. Mystique and moralizing both arose from the spirit’s relationship with empire. Some claim that French soldiers were given daily absinthe rations during France’s military conquest of Algeria to protect them against heat, diseases, and contaminated water. In fact, the overenthusiastic adoption of the drink by these soldiers, and subsequently by French settlers, was perceived as a threat to France’s colonial ambitions - an anxiety that migrated into French medicine. At the height of its popularity in the late nineteenth century, absinthe reigned in the bars, cafés, and restaurants of France and its colonial empire. Yet by the time it was banned in 1915, the famous green fairy had become the green peril, feared for its connection with declining birth rates and its apparent capacity to induce degeneration, madness, and murderous rage in its consumers. Dr. Nina Studer is a historian working on the 19th and 20th century history of French colonies in North Africa and the Middle East. Her work focuses on the history of drinks, in particular tea, coffee, Fanta/Coca-Cola, Orangina, wine and absinthe. Her doctorate, published as The Hidden Patients: North African Women in French Colonial Psychiatry (Böhlau, 2015) is available via Open Access . Currently she works as an associate researcher at the Institut Éthique Histoire Humanités at the University of Geneva, part of Dr. Francesca Arena’s team looking into the medical history of wet dreams between the 18th and the 20th century. The SNSF-project has the title: “ Nuits polluantes: masculinité et médecine en Suisse et en France (XVIII – XX siècles) ”. The image for this episode is an advertisement for the Algerian wine "Sénéclauze" from 1933, from the personal collection of Nina S. Studer. Many thanks to Nina for sharing it with us. Learn more about your ad choices. Visit megaphone.fm/adchoices…

1
Poetry 22:49

há 5 weeks22:49

22:49

In this episode of High Theory, Ryan Ruby talks to us about Poetry. Our standard definition of poetry today is an institutional one, much like contemporary art: if art is what artists and museums and collectors call art, poetry is what poets and professors and publishers say is poetry. Ruby argues that this indefinable thing humans have been doing well nigh forever is better understood as a medium than a form. Poetry is a way of storing and transmitting information, a mechanism of entertainment and authority, and a speech act that attends to changes of state. In the episode, Ryan references Eric Havelock, author of The Muse Learns to Write (Yale UP, 1986), who described the Homeric poems as the encyclopedia of Bronze age Greece. He also cites Marcel Detienne’s book The Masters of Truth in Archaic Greece (trans. Janet Lloyd, Zone Books, 1996) who describes poetry as a form of “magico-religious speech.” Ryan Ruby is a writer, most recently of the book length poem Context Collapse: A Poem Containing the History of Poetry (Seven Stories Press, 2024) . It got reviewed in The New York Times. He has also written a novel, titled The Zero and the One (Twelve Books, 2017), and book reviews and essays for all the fancy places: The New Yorker, Harper’s, The New York Review of Books, The New York Times, Bookforum, New Left Review , etc. He is currently at work on a nonfiction narrative book about Berlin called Ringbahn for Farrar Straus, and Giroux. The image for this episode is a still from an animation of a supercomputer simulation of a pair of neutron stars colliding , merging and forming a black hole, created at the NASA Goddard Space Flight Center. Image courtesy of the NASA Goddard Photo and Video Flickr account. This image is in the public domain. Learn more about your ad choices. Visit megaphone.fm/adchoices…

1
Failed Passing 19:53

há 6 weeks19:53

19:53

Ian Fleishman develops the concept of failed passing in his new book Flamboyant Fictions , which reimagines free will in queer lives as an accidental affirmation of identity despite efforts towards adherence to standards and norms. In this, he works with his predecessors in queer theory like Judith Butler, José Muñoz, Leo Barsani, Lee Edelman and others. In our conversation, Ian also gives us a glimpse of his readings of failed passing in widely varying texts such as the works of André Gide and Jean Genet and the films of Luchino Visconti, Rainer Werner Fassbinder, Werner Schroeter, Todd Haynes, François Ozon, and Xavier Dolan, to the music and public persona of Shawn Mendes and Troye Sivan. Ian Fleishman is the inaugural Chair of the Department of Cinema & Media Studies at the University of Pennsylvania and the author of Flamboyant Fictions: The Failed Art of Passing (Northwestern 2024). His previous books are An Aesthetics of Injury: The Narrative Wound from Baudelaire to Tarantino (Northwestern 2018) and Performative Opacity in the Work of Isabelle Hupert (Edinburgh 2023), co-edited with Iggy Cortez. Image: From the cover of Flamboyant Fictions , by Monograph / Matt Avery Learn more about your ad choices. Visit megaphone.fm/adchoices…

1
Chandigarh 19:47

há 7 weeks19:47

19:47

Chandigarh is the shared capital city of the Indian states of Punjab and Haryana, built under the leadership of modernist and brutalist architect Le Corbusier, as an emblem of the postcolonial Indian nation state as visualized by the first Indian prime minister Jawaharlal Nehru. It was a repudiation of the imperialist architectural style, and for Le Corbusier a personal revenge project after his dissatisfactions with how he was treated during his planning for the United Nations building in New York. Vikramaditya Parakash says that it is a misconception that Chandigarh was built as a blueprint for a future utopia, when in fact it was built as a city where multiple ideas of futurity are put into play. Dr. Vikramaditya Prakash (B.Arch, MA, Phd) works on modernism, postcoloniality and global history. Recent books include One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash and Le Corbusier’s Chandigarh Revisited: Preservation as Future Modernism . An ACSA Distinguished Professor, Vikram teaches at University of Washington, Seattle, is host of the ArchitectureTalk podcast, and co-design lead of O(U)R: Office of (Un)certainty Research . Image: © 2025 Saronik Bosu. An interpretation of the Gandhi Bhawan at Punjab University, Chandigarh. Learn more about your ad choices. Visit megaphone.fm/adchoices…

1
Negative Life 22:09

há 11 weeks22:09

22:09

Steven Swarbrick and Jean-Thomas Tremblay talk about negative life, which names the misalignment of individual and species survival, as a condition of thought and film. In developing this concept, they shed light on the gaps within the rhetoric of entanglement, and push against ethics and politics that insist on the values of human and nonhuman relations. Negative life already inheres in existing social relationships because the world is already broken. Steven and Jean-Thomas critique much of ecocriticism’s romantic attachment to contingencies and solutions that would have us ignore this truth. Steven Swarbrick is Associate Professor of English at Baruch College, City University of New York. He is the author of two books: The Environmental Unconscious: Ecological Poetics from Spenser to Milton (University of Minnesota Press, 2023) and The Earth Is Evil (forthcoming from the University of Nebraska Press, “Provocations” series, 2025). He is a coauthor, with Jean-Thomas Tremblay, of Negative Life: The Cinema of Extinction (Northwestern University Press, 2024). He has been a guest at High Theory in the past, and his previous episode on ‘The Environmental Unconscious’ can be found here . Jean-Thomas Tremblay is Associate Professor of Environmental Humanities and Director of the Graduate Program in Social and Political Thought at York University, in Toronto. He is the author of Breathing Aesthetics (Duke University Press, 2022) and, with Steven Swarbrick, a coauthor of Negative Life: The Cinema of Extinction (Northwestern University Press, 2024). Excerpts from a book-in-progress on climate action, liberal sensemaking, and the "world" concept have appeared in Critical Inquiry and are forthcoming in Representations. Image: © 2025 Saronik Bosu. The silhouette of a forest and that of a cow floating above it, against an orange sky, and a general atmosphere of smoke and haze. Learn more about your ad choices. Visit megaphone.fm/adchoices…

1
Loneliness 20:25

há 12 weeks20:25

20:25

Loneliness is what results when a person is cut off from the living world. Ecological loneliness, in particular, is reciprocal - what we mete out always comes back to trouble us. However, as Laura Marris demonstrates, loneliness can entail the shadow work for understanding how a society based on capital and on growth, can create profound isolation. She suggests that this work can look like ground truthing a place that has changed over time, that was once familiar to us, either as individuals or as collectives, but now appears alien. Laura Marris is an essayist, poet, and translator. Her writing has appeared or is forthcoming in The Believer, Harper’s, The New York Times, The Paris Review Daily, The Yale Review, Words Without Borders and elsewhere. She has received fellowships from MacDowell, a Katharine Bakeless Fellowship from the Bread Loaf Writer’s Conference, and a grant from the Robert B. Silvers Foundation. Her first solo-authored book, The Age of Loneliness , was published by Graywolf in August, 2024. She lives in Buffalo. Image: “The Monk by the Sea” by Caspar David Friedrich, now housed at the Alte Nationalgalerie in Berlin. The image is in the public domain. Learn more about your ad choices. Visit megaphone.fm/adchoices…

1
Aesthetic Conversions 21:10

há 14 weeks21:10

21:10

Paloma Checa-Gismero talks about the many processes of re-evaluation, re-contextualization, and re-animation that designates an object as art. To illustrate this point, she calls our attention to the work of artists like Mierle Laderman Ukeles in the 1970s, or the 1989 exhibition titled Magiciens de la terre at the Centre Georges Pompidou in Paris. She develops the concept of aesthetic conversions in her new book about the histories and geographies of art biennials, which, in the post cold war world, converted subaltern aesthetic genealogies into forms that were legible to a nascent cosmopolitan global elite. Paloma Checa-Gismero is a historian of global contemporary art. She is Assistant Professor of Art History at Swarthmore College. Originally trained as an artist, she has been an active art critic since 2009. Her scholarship and criticism have been published in Afterall, FIELD, Third Text, The Journal of Modern Craft, among others. She is the author of Biennial Boom: Making Contemporary Art Global (Duke University Press, 2024) . Image: © 2023 Saronik Bosu. It is a tilted and warped version of the capital letter B that spills out of the frame, its three parts in maroon, violet, and deep green, against a yellow ochre background. Learn more about your ad choices. Visit megaphone.fm/adchoices…

1
Bug 17:40

há 16 weeks17:40

17:40

In this episode of High Theory, Marcello Vitali-Rosati tells us about bugs! A bug can be a small insect, an illness, a spy device, or a digital malfunction. The computer bug, the ghost in the machine, derives from an older engineering use of bug as mechanical failure, and the insect, in turn, derives from an earlier sense of bug as specter, an invisible and frightening ghost. Like philosophy itself, the computer bug stops our ordinary workflow and causes us to think, to question the very task we had set out to undertake. Marcello’s new book, Éloge du bug: être libre à l’époque du numérique (Zones, La Découverte, Paris 2024), sings the praises of computer bugs. By stopping things from working as expected, the bug is a veritable Socratic demon: it enables the emergence of critical thinking and allows the multiplicity of thinking paradigms that characterizes philosophy. Instead of letting ourselves be seduced by a discourse which, promising to free us from all the material tasks of our lives, ends up enslaving us completely to a handful of companies, this book, with its praise of the bug, shows how to bring about a true critical spirit and a literacy capable of setting us free in our digital age. You can read the book online here ! Marcello Vitali-Rosati is a philosopher and specialist in digital publishing. He works as a professor in the Department of French Literatures at the University of Montreal, and holds the Canada Research Chair in Digital Textualities and the Chair of excellence in digital publishing at the Université de Rouen (France). Through the study and practice of code, he analyzes how algorithms, formats, software, and platforms redefine the notions of human, identity, knowledge, and literature. An active contributor to the theory of editorialization, he works on designing new forms of knowledge production and dissemination as well as innovative editorial workflows. He also works as an editor, publishes widely, and leads several digital humanities projects. You can read more about his work on his website , in English, French, or Italian. The image for this episode shows a drawing of a moth on a purple and black patterned background. It was created by Saronik Bosu by manipulating public domain photograph of the circuitry of IBM 7030 and a drawing from a nineteenth century entomology textbook, also in public domain. Learn more about your ad choices. Visit megaphone.fm/adchoices…

1
Biopic 18:44

há 16 weeks18:44

18:44

In this episode of High Theory, Laura Stamm talks about the biopic. One of the oldest forms of narrative cinema, biographical pictures are a mainstay of the medium today. Early biopics played an important role in public health discourse, representing the discoveries of science and the lives of scientists, which in turn led queer artists to adopt the genre in response to the AIDS crisis. Laura’s book, The Queer Biopic in the AIDS Era (Oxford UP, 2022), asks why queer filmmakers repeatedly produced biographical films of queer individuals living and dead throughout the years surrounding the AIDS crisis. These films evoke the genre's history building up lives worthy of admiration and emulation and the parallel history of representing lives damaged. By portraying lives damaged by inconceivable loss, queer filmmakers challenge the illusion of a coherent self presumably reinforced by the biopic genre and in doing so, their films open the potential for new means of connection and relationality. In the episode Laura references many films, including the Greta Garbo film Queen Christina (1933); Freud: The Secret Passion (1962); The Story of Louis Pasteur (1936); Dr. Ehrlich's Magic Bullet (1940); John Greyson’s musical Zero Patience (1993); and the Amy Winehouse biopic Back to Black (2024). Her research extends beyond the 1980s moment of crisis, and in the episode she gives a good explainer pre-code Hollywood and (briefly) the New Queer Cinema of the 1990s. If you were interested in this episode and want to learn more about queer representation in US popular culture, check out Margaret Galvan’s episode on Visibility . Laura Stamm is Assistant Professor of Health Humanities and Bioethics and Director of Diversity, Equity, and Inclusion for Department of Medicine at University of Rochester. She completed her PhD in Film and Media Studies and Gender, Sexuality, and Women's Studies at the University of Pittsburgh. Dr. Stamm's research interests broadly focuses on LGBTQ+ health, transgender studies, and medicine in visual culture. Beyond the book discussed here, her work has recently appeared in the edited collection New Queer Television: From Marginalization to Mainstream (Intellect Press, 2024) and Synapsis on “ From the Clinic to the Talk Show: Narratives of Trans History in Framing Agnes .” The image for this episode shows photographs by Rob Corder of photographs by Peter Hujar of two queer artists, the sculptor Louise Nevelson and the writer, photographer, film maker, etc., David Wojnarowicz. Left: Peter Hujar, "Louise Nevelson (II), 1969". Gelatin silver print (1934-1987) Morgan Library. BAM Right: Peter Hujar, "David Wojnarowicz", 1981. Gelatin silver print (1934-1987) Menschel Collection. BAM Photos by Rob Corder. We do not own these images, but we do like them. Learn more about your ad choices. Visit megaphone.fm/adchoices…

1
Required Reading 21:18

há 18 weeks21:18

21:18

Priyasha Mukhopadhyay develops the concept of the functional archive of empire, consisting of texts ranging from licenses and other bureaucratic documents to manuals and almanacs. She describes how historical readers in colonial South Asia made sense of them, and what this can tell us about their experiences living in the shadow of a vast imperial power. She illustrates this with the example of a manual used by soldiers which despite being widely used, also created complex relationships with its users - soldiers in the field - which often entailed in their not actually reading the book and complaining about being required to read them. Priyasha Mukhopadhyay is an Assistant Professor of English at Yale University. Her first book, Required Reading: The Life of Everyday Texts in the British Empire , was published by Princeton University Press in August 2024. Image: “Plate XII”, Field Service Pocket Book Part II - India , Calcutta: Government of India Central Publication Branch, 1928 Learn more about your ad choices. Visit megaphone.fm/adchoices…

1
Risk 20:00

há 19 weeks20:00

20:00

In this episode of High Theory, Faye Raquel Gleisser tells us about Risk. A calculable danger in economics, athletics, sociology, or healthcare, risk has become a socially constructed danger that changes who we are and how we move through the world. Faye asks us to think about how risk management and risk literacy shaped the conceptual and performance work of American artists in the late twentieth century. Who is at risk? Who is safe? And how do we know? Faye’s book, Risk Work: Making Art and Guerrilla Tactics in Punitive America, 1967–1987 (U Chicago Press, 2023) studies how artists in the US starting in the 1960s came to use guerrilla tactics in performance and conceptual art, maneuvering policing, racism, and surveillance. As US news covered anticolonialist resistance abroad and urban rebellions at home, and as politicians mobilized the perceived threat of “guerrilla warfare” to justify increased police presence nationwide, artists across the country began adopting guerrilla tactics in performance and conceptual art. Risk Work tells the story of how artists’ experimentation with physical and psychological interference from the late 1960s through the late 1980s reveals the complex and enduring relationship between contemporary art, state power, and policing. Drawing on art history and sociology as well as performance, prison, and Black studies, Gleisser argues that artists’ anticipation of state-sanctioned violence invokes the concept of “punitive literacy,” a collectively formed understanding of how to protect oneself and others in a carceral society. Faye Raquel Gleisser is an associate professor of art history at Indiana University and curator, whose work focuses on three main subject areas: art and tactical intervention; the racial logics of archives; and curatorial ethics and canon formation. By bridging curation, art history, and performance studies, she investigates histories of art that challenge intertwined anti-Black societal structures and patriarchal, white-centering notions of value that have long limited the canon of “American art.” She approaches art as a material manifestation of sociopolitical conditions and artists as theorists of power and social encounter. In the episode Faye names several artists including Asco , Chris Burden , the Guerrilla Girls , Tehching Hsieh , and Adrian Piper . This image for this episode is a photograph by Harry Gambota Jr . titled First Supper (After a Major Riot), 1974 that documents a performance by the Chicano art group Asco in Los Angeles. See the Artsy page about the photograph for more about the art and the artist. Learn more about your ad choices. Visit megaphone.fm/adchoices…

1
Non-literary Fiction 14:30

há 20 weeks14:30

14:30

In this episode of High Theory, Esther Gabara talks with us about Non-Literary Fiction, that is, works of fiction that belong to the world of contemporary art, rather than the world of contemporary literature. She focuses on literary and narrative strategies used by Latin American and Indigenous American artists to make “non-objective” forms of visual art under the pressures of neoliberalism. To learn more, check out her book, Non-Literary Fiction: Art of the Americas under Neoliberalism (Chicago University Press, 2022). In our conversation, Esther gave us a theoretical bibliography of thinkers from Latin America who have shaped her work on non-literary fiction. Prominent among these figures are Ferreira Gullar in Brazil and Juan Acha in Mexico, who were the founding thinkers of the term “Non-Objectualism”-- a term that informs the fiction making practices Esther studies. We found this cool piece on Juan Acha that might be worth reading. She also named the philosopher Rodolfo Kusch and his work with indigenous storytellers. Kusch’s book on Indigenous and Popular Thinking in América was translated into English and published by Duke in 2010. And finally she named the indigenous artist and activist Manuel Quintín Lame , who collaborated with the Columbia artist Antonio Caro . Each of these figures features in her book as a theorist in their own right, in a context where art is a critical practice. Esther Gabara is a professor of Romance Studies at Duke University, where she works with modern and contemporary art, literature, and critical theory from the Americas. Her teaching in the departments of Romance Studies and Art, Art History & Visual Studies at Duke University covers visual studies, modernism, photography, Pop Art and popular culture, feminism, public art, and coloniality in contemporary art. Her prior publications include the bilingual exhibition catalogue, Pop América, 1965-1975 (Nasher Museum of Art/Duke University Press, 2018), for an exhibition she curated at the Nasher Museum of Art, and Errant Modernism: The Ethos of Photography in Mexico and Brazil (Duke University Press, 2008). Learn more about your ad choices. Visit megaphone.fm/adchoices…

1
Ghosts In Our Fields 28:15

há 21 weeks28:15

28:15

High Theory returns with a series of haunting concepts, places, and figures from our former guests. We asked folks to call in with something spookworthy (neologism!) from their fields – real or imagined specters, scary ideas, anything that could haunt, disorient, unsettle, horrify. And we got a full seance worth of ghosts. Listen if you dare! This episode features (in order of appearance) Abhishek Avtans on the Churail. He kindly gave us a transcript (we hope to have more transcripts soon!). You can hear more from Abhishek in his episode on Apabhraṃśa . Angelina Eimannsberger on the Reader. You can hear more from Angelina in her episode on JVN . Travis Chi Wing Lau on Mad Studies. You can hear more from Travis in his episode on Experimental Life . Mackenzie Cooley on the Scientific Revolution. You can hear more from Mackenzie in her episode on the Animal . Farah Bakaari on the Nation State. You can hear more from Farah in her episode on the Trace . Emma Heany on Communism and Empire. You can hear more from Emma in her episode on Sexual Difference . Sheila Liming on Nowhere and Forever. Sheila reads an excerpt from her article in progress on the contemporary gothic, under the working title, "Out of Time: Anti-Immediacy in Mark Jenkin's Enys Men.” You can hear more from Sheila in her episode on the Party . Sritama Chatterjee on Nature and Wilderness. You can hear more from Sritama in her episode on Off-Shore Aesthetics . John Linstrom on Liberty Hyde Bailey’s Haunted Houses. You can hear more from John in his episodes on Nature Study and Ecosphere . The image for this episode features creepy red creatures on a dark green field. It was made by Saronik Bosu. Boo! Learn more about your ad choices. Visit megaphone.fm/adchoices…

1
Inhuman 20:53

há 45 weeks20:53