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Conteúdo fornecido por Karlheinz Essl. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Karlheinz Essl ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.
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Whatever Shall Be (2010) for toy piano and live-electronics
MP3•Home de episódios
Manage episode 378874218 series 1156058
Conteúdo fornecido por Karlheinz Essl. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Karlheinz Essl ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.
In this piece, Essl uses the inside of the toy piano for the first time. A contact microphone is attached to the instrument and connected to a custom-made computer program which acts as a kind of sonic ‘particle accelerator’. During their voyage through the piece, the performer not only scratches and knocks on the sound board, but also has to stamp their feet (the source of the rhythm is later revealed) and make use of some special gadgets. A spinning top is played on the soundboard, and a thimble produces beautiful glissandos on the metal rods of the toy piano. At certain moments notes are also played on the keys in a conventional manner, but even these sounds burst into explosive glissandos. At the very end, a small music box enters the scene. Mounted on the soundboard, this little instrument plays the melody of the well known song, ‘Que Sera, Sera (Whatever Will be, Will be)’, from the Hitchcock movie "The Man Who Knew Too Much". The magic of this piece probably also has to do with the fact that everything that is heard before the entry of this beautiful melody – all rhythmic cells, melodic motives, even the harmonic structures – are in fact derived from this very melody. https://essl.at/works/whatever.html
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continue reading
307 episódios
MP3•Home de episódios
Manage episode 378874218 series 1156058
Conteúdo fornecido por Karlheinz Essl. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Karlheinz Essl ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.
In this piece, Essl uses the inside of the toy piano for the first time. A contact microphone is attached to the instrument and connected to a custom-made computer program which acts as a kind of sonic ‘particle accelerator’. During their voyage through the piece, the performer not only scratches and knocks on the sound board, but also has to stamp their feet (the source of the rhythm is later revealed) and make use of some special gadgets. A spinning top is played on the soundboard, and a thimble produces beautiful glissandos on the metal rods of the toy piano. At certain moments notes are also played on the keys in a conventional manner, but even these sounds burst into explosive glissandos. At the very end, a small music box enters the scene. Mounted on the soundboard, this little instrument plays the melody of the well known song, ‘Que Sera, Sera (Whatever Will be, Will be)’, from the Hitchcock movie "The Man Who Knew Too Much". The magic of this piece probably also has to do with the fact that everything that is heard before the entry of this beautiful melody – all rhythmic cells, melodic motives, even the harmonic structures – are in fact derived from this very melody. https://essl.at/works/whatever.html
…
continue reading
307 episódios
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