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Listening to Broadside Ballads from the 17th Century

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Conteúdo fornecido por Cassidy Cash. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Cassidy Cash ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.
When Shakespeare mentions ballads in his plays, he uses adjectives like odious and woeful, mentioning both the ballad makers in Coriolanus, and the people who sell them, known as the ballad mongers, in Henry IV Part 1. Shakespeare’s has over 20 references to ballads throughout his works, all of which tell us that these songs were written in ink, published by printers, and performed in songs that not only rhymed, but that could be just as merry as it was painful, particularly if the ballad was sung out of tune, as Cleopatra complains in Antony and Cleopatra. Here today to share with us some of the exact ballads that were popular for Shakespeare’s lifetime, as well as the history of how they were created, and performed, is our guests, and masterminds behind the 100 Ballads Project that seeks to recreate and preserve ballads from the 17th century, Angela McShane, Chris Marsh, and Andy Watts.

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217 episódios

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Manage episode 426575401 series 2248527
Conteúdo fornecido por Cassidy Cash. Todo o conteúdo do podcast, incluindo episódios, gráficos e descrições de podcast, é carregado e fornecido diretamente por Cassidy Cash ou por seu parceiro de plataforma de podcast. Se você acredita que alguém está usando seu trabalho protegido por direitos autorais sem sua permissão, siga o processo descrito aqui https://pt.player.fm/legal.
When Shakespeare mentions ballads in his plays, he uses adjectives like odious and woeful, mentioning both the ballad makers in Coriolanus, and the people who sell them, known as the ballad mongers, in Henry IV Part 1. Shakespeare’s has over 20 references to ballads throughout his works, all of which tell us that these songs were written in ink, published by printers, and performed in songs that not only rhymed, but that could be just as merry as it was painful, particularly if the ballad was sung out of tune, as Cleopatra complains in Antony and Cleopatra. Here today to share with us some of the exact ballads that were popular for Shakespeare’s lifetime, as well as the history of how they were created, and performed, is our guests, and masterminds behind the 100 Ballads Project that seeks to recreate and preserve ballads from the 17th century, Angela McShane, Chris Marsh, and Andy Watts.

Get bonus episodes on Patreon


Hosted on Acast. See acast.com/privacy for more information.

  continue reading

217 episódios

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